Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
To lull the soul by spurious strokes of art,
To warp the genius, and mislead the heart;
To make mankind revere wives gone astray,[274]
Love pious sons who rob on the highway;[275]
For this the foreign muses trod our stage
Commanding _German schools_ to be the rage.
Hail to such schools! Oh, fine _false feeling_, hail!
Thou badst _non-natural nature_ to prevail;
Through thee, _soft super-sentiment_ arose,
Musk to the mind like civet to the nose;
Till fainting taste (as invalids do wrong),
Snuff’d the sick perfume, and grew weakly strong.
Dear Johnny Bull! you boast much resolution,
With, thanks to Heaven! a glorious Constitution:
Your taste, recovered half from foreign quacks,
Takes airings, now, on English horses’ backs;
While every modern bard may raise his name,
If not on _lasting praise_, on _stable fame_.
Think that to Germans you have given no check,
Think how each actor hors’d has risk’d his neck;
You’ve shewn them favour: Oh, then, once more shew it
To this night’s _Anglo-German, Horse-Play_ Poet!—ED.]
[Illustration]
No. XXXI.
June 11, 1798.
We have received, in the course of the last week, several long, and
to say the truth, dull letters, from unknown hands, reflecting in
very severe terms on MR. HIGGINS, for having, as it is affirmed,
attempted to pass upon the world, as a faithful sample of the
productions of the German theatre, a performance no way resembling
any of those pieces which have so late excited, and which bid fair
to engross, the admiration of the British public.
As we cannot but consider ourselves as the guardians of MR.
HIGGINS’S literary reputation, in respect to every work of his which
is conveyed to the world through the medium of our paper (though,
what we think of the danger of his principles we have already
sufficiently explained for ourselves, and have, we trust, succeeded
in putting our readers upon their guard against them)—we hold
ourselves bound not only to justify the fidelity of the imitation,
but (contrary to our original intention) to give a further specimen
of it in our present number, in order to bring the question more
fairly to issue between our author and his calumniators.
Public-domain text, read in full here on John Shaqi.
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