Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
PUDD. Ha! ha! ha! Still the same proud spirit, Beefington, which
procured thee thine exile from England.
BEEF. England! my native land! when shall I revisit thee?
[_During this time_ PUDDINGFIELD _deals, and begins to arrange his
hand._
BEEF. [_Continues._] Phoo, hang All-fours; what are they to a mind ill
at ease? Can they cure the heartache? Can they soothe banishment? Can
they lighten ignominy? Can All-fours do this? O, my Puddingfield! thy
limber and lightsome spirit bounds up against affliction with the
elasticity of a well-bent bow; but mine—O! mine—
[_Falls into an agony, and sinks back in his chair. Young_
POTTINGEN, _awakened by the noise, rises, and advances with a
grave demeanour towards_ BEEFINGTON _and_ PUDDINGFIELD. _The
former begins to recover._
Y. POT. What is the matter, comrades,[277] you seem agitated. Have you
lost or won?
BEEF. Lost! I have lost my country.
Y. POT. And I my sister. I came hither in search of her.
BEEF. O, England!
Y. POT. O, Matilda!
BEEF. Exiled by the tyranny of an usurper, I seek the means of
revenge, and of restoration to my country.
Y. POT. Oppressed by the tyranny of an Abbot, persecuted by the
jealousy of a Count, the betrothed husband of my sister languishes in
a loathsome captivity; her lover is fled no one knows whither, and I,
her brother, am torn from my parental roof, and from my studies in
chirurgery, to seek him and her, I know not where—to rescue Rogero, I
know not how. Comrades, your counsel. My search fruitless—my money
gone—my baggage stolen! what am I to do? In yonder Abbey—in these
dark, dank vaults, there, my friends, there lies Rogero—there
Matilda’s heart.
SCENE II.
_Enter_ WAITER.
WAITER. Sir, here is a person who desires to speak with you.
BEEF. [_Goes to the door and returns with a letter, which he opens. On
perusing it his countenance becomes illuminated, and expands
prodigiously._] Ah, my friend, what joy!
[_Turning to_ PUDDINGFIELD.
PUDD. What? tell me—let your Puddingfield partake it.
BEEF. See here.
[_Produces a printed paper._
PUDD. What?
[_With impatience._
BEEF. [_In a significant tone._] A newspaper!
PUDD. Ah, what sayst thou?—A newspaper!
BEEF. Yes, Puddingfield, and see here [_shows it partially_], from
England.
PUDD. [_With extreme earnestness._] Its name?
BEEF. The _Daily Advertiser_.
PUDD. Oh, ecstasy!
BEEF. [_With a dignified severity._] Puddingfield, calm
yourself—repress those transports—remember that you are a man.
PUDD. [_After a pause, with suppressed emotion._] Well, I will be—I am
calm—yet tell me, Beefington, does it contain any news?
Public-domain text, read in full here on John Shaqi.
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