Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
[The literary association of LAMB with COLERIDGE and SOUTHEY [says SIR
T. N. TALFOURD, in his life of LAMB,] drew upon him the hostility of the
young scorners of _The Anti-Jacobin_, who, luxuriating in boyish pride
and aristocratic patronage, tossed the arrows of their wit against all
charged with innovation, whether in politics or poetry, and cared little
whom they wounded. No one could be more innocent than LAMB of political
heresy; no one more strongly opposed to new theories in morality—which
he always regarded with disgust. The very first number of _The
Anti-Jacobin Review and Magazine_ [this was, however, a new work, by
different hands, but imbued with the same spirit as _The Anti-Jacobin_]
was adorned by a caricature of GILLRAY’S, in which COLERIDGE and SOUTHEY
were introduced with asses’ heads, and LLOYD and LAMB as toad and frog.
In the number of July, 1798 [of the original _Anti-Jacobin_] appeared
the well-known poem of _New Morality_, in which all the prominent
objects of the hatred of these champions of religion and order were
introduced as offering homage to LEPAUX, a French charlatan,—of whose
existence LAMB had never even heard. Not content with thus confounding
persons of the most opposite opinions and the most various characters in
one common libel, the party returned to the charge in their number for
September [of _The Anti-Jacobin Review_], and denounced the young poets
in a parody on the _Ode to the Passions_, under the title of _The
Anarchists_. They are reprinted in the present volume.—ED.]
[The cause of Coleridge, Southey, Lloyd, and Lamb, being thus satirized
as persons of the same politics, was the conjoint publication of their
works. In the spring of 1796, COLERIDGE published vol. i. of his
_Juvenile Poems_, including three Sonnets by LAMB; in May, 1797, there
appeared a new edition, with many poems by LLOYD and LAMB. _The Fall of
Robespierre_, an historic drama, was published Sept. 22, 1794: the first
act written by COLERIDGE, the second and third by SOUTHEY. It is not
difficult to understand why COLERIDGE was so severely attacked by the
Government writers. In 1795, at the early age of 23, he delivered, at
Bristol, some public lectures, reflecting in warm terms on the measures
of PITT. Three of them were published at Bristol at the end of 1795—the
first two together, with the title of _Conciones ad Populum_; the third
as _The Plot Discovered_. The eloquent passage in conclusion of the
first of these addresses was written by SOUTHEY. That he was considered
by ministers a dangerous character is proved by his having been for some
months watched by a Government spy while residing at Stowey, providing
for his scanty maintenance by writing verses for _The Morning Post_. It
was his fortune also to excite the ire of BUONAPARTE, by his
anti-gallican writings in the same paper; and a benevolent intimation of
his danger by Baron von Humboldt and Cardinal Fesch alone prevented his
being arrested while in Italy. (See p. 284.)
Public-domain text, read in full here on John Shaqi.
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