Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
The past writings of Mr. William Cobbett, who has assumed the
appellation of Peter Porcupine, are too well known in England to
require any explanation from us, either of _their_ tendency, or of
the author’s principles. Were any doubt entertained on the subject,
nothing more would be requisite to dispel it than a mere reference
to the comments of all the Jacobin Reviewers; who have, without
exception, in defiance alike of decency and of truth, lavished on
them the most indiscriminate censure and the most scurrilous abuse.
Strange as it may appear, it is indisputably true that the
individual exertions of Mr. Cobbett have more essentially
contributed to give a proper tone to the public spirit in America
than all the efforts of the well-disposed part of the native
Americans: for a considerable length of time he combated alone a
host of foes, “himself a host”; stemmed the impetuous tide of
democracy; and checked the irruptions of French anarchy and atheism,
which threatened to overwhelm the American States, and, with the
ruins of their confliction, to crush everything for which the
Americans, at the period of their revolution, professed to fight,
and which they have ever since professed to cherish. The adoption of
such a line of conduct was alone sufficient to draw down upon our
author the vengeance of all whose treasonable designs his manly
efforts were intended to defeat. Accordingly, nothing was spared by
the infuriated advocates of anarchy to injure him in the public
mind, and, by blasting his reputation, to deprive him of that credit
which was indispensably necessary to secure the success of his
works. No imputation however base, no lie however atrocious, none of
those black and diabolical arts, in short, which, issuing from the
bubbling cauldron of democracy, were so skilfully employed to
blacken the first and fairest character in France, as a necessary
prelude to the establishment of the _virtuous_ republic of the Great
Nation, were neglected in the _glorious_ attempt to achieve the ruin
of this worthy individual. When these were found to fail of
producing the desired effect, recourse was had to personal
threats—the coward’s weapon—with the hope of inducing him, by the
means of intimidation, to quit a country in which his enemies
endeavoured to convince him that his life was daily exposed to most
imminent danger. But neither the dread of calumny, nor the fear of
assassination, could lead the object of their persecution to forego
his laudable design. He manfully persevered, and has at length,
though not without infinite difficulty, succeeded in opening the
eyes of the Americans to their own interest, and in the infamous
machinations of France, and of American traitors in the pay of
France—for England is not the ONLY country in which foreign gold is
employed as a stimulus to domestic treason.[330] In the course of
Public-domain text, read in full here on John Shaqi.
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