Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
A manifest error, since it appears from the Waiter’s conversation (p.
211) that Rogero was not doomed to starve on water-gruel, but on
pease-soup, which is a much better thing. Possibly the length of
Rogero’s imprisonment had impaired his memory; or he might wish to make
things appear worse than they really were; which is very natural, I
think, in such a case as this poor unfortunate gentleman’s.—_Printer’s
Devil._
Footnote 274:
Vide _The Stranger_.
Footnote 275:
_Lovers’ Vows._
Footnote 276:
This is an excellent joke in German; the point and spirit of which
is but ill-_Rendered_ in a translation. A NODDY, the reader will
observe, has two significations, the one a _knave at All-fours_, the
other a _fool_ or _booby_. See the translation by Mr. Render of
_Count Benyowsky, or the Conspiracy of Kamschatka_, a German
Tragi-Comi-Comi-Tragedy, where the play opens with a scene of a game
at chess (from which the whole of this scene is copied), and a joke
of the same point, and merriment about pawns, _i.e._, boors being a
_match_ for kings.
Footnote 277:
This word in the original is strictly _fellow-lodgers_—“_Co-occupants of
the same room, in a house let out at a small rent by the week_”. There
is no single word in English which expresses so complicated a relation,
except perhaps the cant term of _chum_, formerly in use in our
Universities.
Footnote 278:
[The above song is a parody on that pathetic one—given below—written by
Sheridan, and introduced into Kotzebue’s drama of _The Stranger_, to be
overheard by the latter. It was sung by Mrs. Bland—as Annetta—to a
melody by the Duchess of Devonshire, in a manner, it is said, that
thrilled every heart.
“I have a silent sorrow here,
A grief I’ll ne’er impart;
It breathes no sigh, it sheds no tear,
But it consumes my heart.
This cherish’d woe, this lov’d despair,
My lot for ever be;
So my soul’s lord, the pangs I bear
Be never known by thee!
“And when pale characters of death
Shall mark this alter’d cheek;
When my poor wasted trembling breath
My life’s last hope would speak;
I shall not raise my eyes to heaven,
Nor mercy ask for me,
My soul despairs to be forgiv’n,
Unpardon’d, love, by thee!”—ED.]
Footnote 279:
See _Count Benyowsky_; where Crustiew, an old gentleman of much
sagacity, talks the following nonsense:
Crustiew [_with youthful energy, and an air of secrecy and confidence_].
“To fly, to fly, to the isles of Marian—the island of Tinian—a
terrestrial paradise. Free—free—a mild climate—a new-created
sun—wholesome fruits—harmless inhabitants—and liberty—tranquillity.”
Footnote 280:
See _Count Benyowsky_, as before.
Footnote 281:
See _Count Benyowsky_.
Footnote 282:
Public-domain text, read in full here on John Shaqi.
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