Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
We know not how far Mr. FOX might have proceeded, had he not been
interrupted by a jangling of bells from the Side-table which
immediately drew all eyes that way. This proceeded from Capt.
MORRIS, who had fallen asleep during Mr. FOX’S Song, and was now
nodding on his chair, with a large paper Cap on his head, ornamented
with gilt tassels and bells, which one of the company had
dexterously whipped on unperceived. The first motion was that of
indignation; but the stupid stare of the unconscious Captain, who
half opened his eyes at every sound of the bells as his head rose or
fell, and immediately closed them again, _somno vinoque gravatus_,
had such a powerful effect on the risible faculties of the Company,
that they broke, as if by consent, into the most violent and
convulsive fits of laughter; Mr. FOX himself not being exempt from
the general contagion.
As soon as the Captain was made sensible of the cause of this
uproar, he attempted to pull off the Cap, but was prevented by a
Citizen from the _Corresponding Society_, who maintained that the
Company had a right to be amused by the Captain in what manner they
pleased; and that, as he seemed to amuse them more effectually in
_that state_ than in any other, he insisted, for one, on his
continuing to wear the Cap. This was universally agreed to, with the
exception of the Duke of NORFOLK. The Captain was therefore led to
the upper table, with all his “jangling honours loud upon him!”
Here, as soon as he was seated, his Noble Friend called upon him for
a Song.
The Captain sang the “PLENIPO” in his best manner.
This was received with great applause; and then the Duke gave “The
Defenders—of Ireland”—(_three times three_).
Captain MORRIS then began
“And all the Books of Moses”;—
but was interrupted, before he had finished the first line, by Mr.
TIERNEY, who declared he would not sit there and hear anything like
ridicule on the Bible.[110]—(_Much coughing and scraping_.)—Mr.
Erskine took God to witness, that he thought the Captain meant no
harm;—and a gentleman from Cambridge, whose name we could not learn,
said, with great _naïveté_, that it was no more than was done every
day by his acquaintance. Mr. TIERNEY, however, persisted in his
opposition to the Song, and Captain MORRIS was obliged to substitute
“Jenny Sutton” in the place of it.
But the good humour of the company was already broken in upon, and
Mr. TIERNEY soon after left the room (to which he did not return)
with greater marks of displeasure in his face than we ever remember
to have seen there.
The Duke now gave RADICAL REFORM (_three times three, followed by
continued shouts of applause_).
A Counsellor JACKSON attempted to sing “Paddy Whack,” but was soon
silenced, on account of his stupid perversion of the words, and his
bad voice.
Public-domain text, read in full here on John Shaqi.
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