Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
The specimen of the poem on the “Progress of Man,” with which we
favoured our Readers in our last Number, has occasioned a variety of
letters, which we confess have not a little surprised us, from the
unfounded, and even contradictory charges they contain. In one, we are
accused of Malevolence, in bringing back to notice a work that had been
quietly consigned to oblivion;—in another, of Plagiarism, in copying its
most beautiful passages;—in a third, of Vanity, in striving to imitate
what was in itself inimitable, &c., &c. But why this alarm? has the
author of the “_Progress of Civil Society_” an exclusive patent for
fabricating _Didactic_ poems? or can we not write against Order and
Government without incurring the guilt of Imitation? We trust we were
not so ignorant of the nature of a didactic poem (so called from
_didaskein_, to teach, and _poema_, a poem; because it teaches nothing,
and is not poetical) even before the _“Progress of Civil Society”_
appeared, but that we were capable of such an undertaking.
We shall only say further, that we do not intend to proceed regularly
with our Poem; but having the remaining thirty-nine Cantos by us, shall
content ourselves with giving, from time to time, such extracts as may
happen to suit our purpose.
The following passage, which, as the reader will see by turning to the
Contents prefixed to the head of the Poem, is part of the First Canto,
contains so happy a deduction of MAN’S present state of Depravity, from
the first slips and failings of his Original State, and inculcates so
forcibly the mischievous consequences of _social_ or _civilized_, as
opposed to _natural_ society, that no dread of imputed imitation can
prevent us from giving it to our readers.
PROGRESS OF MAN.
Lo! the rude savage, free from civil strife,[139]
Keeps the smooth tenour of his guiltless life;
Restrain’d by none, save Nature’s lenient laws,
Quaffs the clear stream, and feeds on hips and haws.
Light to his daily sports behold him rise! 65
The bloodless banquet health and strength supplies.[140]
Bloodless not long—one morn he haps to stray[141]
Through the lone wood—and close beside the way
Sees the gaunt tiger tear his trembling prey;
Beneath whose gory fangs a leveret bleeds, 70
Or pig—such pig as fertile China breeds.[142]
Struck with the sight, the wondering savage stands,
Rolls his broad eyes, and clasps his lifted hands!
Then restless roams—and loaths his wonted food;
Shuns the salubrious stream, and thirsts for blood. 75
Public-domain text, read in full here on John Shaqi.
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