In Homer, Apollo has already established at Pytho a temple of many treasures.[143] The reference to ‘sacred Crisa’ side by side with ‘rocky Pytho’[144] suggests, if the Greeks were right in their interpretation of ‘Crisa’ as ‘the Cretan land,’ that the region was already revered in the days of the Minoan thalassocracy. Aeschylus in the _Eumenides_[145] reproduces the Greek tradition regarding oracle-deities at Delphi, before the advent of Apollo. The Delphian priestess accords priority to Ge, the Earth-goddess, ‘the first of prophets,’ and then she prays to Themis, as the second deity who gave oracles there. This legend probably originated in a joint worship of Ge and of Themis under the forms of the Mother and the Maid; for, just as the cult of Demeter and Kore represented the joint worship of the Earth and its produce, so the cult of Ge and Themis represented the worship of the Earth and of the deified uniformity of the Earth’s fertility. Next the priestess prays to Phoebe, another daughter of Earth, who in turn transmitted the oracle to her son, Phoebus Apollo. It was supposed that the temple which is mentioned by Homer was the fourth[146] temple which had been built on that site. This temple was destroyed in 548 B.C., according to Pausanias.[147] Hence it is much less probable that the oracular shrine had been handed down by continuous succession as an inheritance within a ‘divine family’ than that it was repeatedly destroyed and desecrated by successive invaders. The destruction of Crisa in 585 B.C. by the Amphictyonic League furnishes an historical illustration of its chequered career in prehistoric ages. The octennial festival known as the Stepteria,[148] which commemorated the conquest of the Python by Apollo, had probably an historical foundation. For the Python, a large snake, was worshipped as a symbol of the Earth’s fertility: it was therefore associated with Ge and Themis, who ‘handed down’ the oracle according to legend. The famous Omphalos at Delphi, of which the origin and significance were so mysterious to the Greeks, was really the tombstone of the Python. But Earth, though buried, still lived in the tomb! It was from a cavern of Earth that the Pythian priestess received the vapours which produced her ‘anaesthetic revelation.’[149] In the Apolline shrine was the Hestia, or sacred Hearth, derived from pre-Olympian ancestor worship and necromantic art. Before the pilgrim entered the shrine of the Olympian oracle, he had to perform a Chthonian sacrifice, and offer a πέλανος, a mixture of milk, wine and honey, which was a characteristic offering at the tombs of the dead.[150] Around the tomb of the Python stood Gorgon-images,[151] which were probably suggested by ‘image-magic’ as a placation of the wrath of the Erinnyes, who sought the life of the slayer of the Python. It was from these images, we think, that Aeschylus derived his conception of the Erinnyes, and the famous scene[152] which depicts them as sleeping a