Poine: a study in ancient Greek blood-vengeanceTreston, Hubert Joseph
History
Poine: a study in ancient Greek blood-vengeance
Treston, Hubert Joseph
Criminal law (Greek law); Greece -- Civilization; Greek drama (Tragedy) -- History and criticism; Homicide (Greek law); Vendetta
a number of minor deities who suggest the existence of a less privileged
social and religious caste. It is in this caste that we believe that we
can find the source of supply or the materials for the creation of the
Olympic Pantheon. Such a Pantheon could never have been the exclusive
creation of Homer. If the Achaeans created it, they were limited,
surely, by the nature of the materials at their disposal. Their creative
power was restricted and directed, as we believe, by a pre-Achaean
evolution of grades of divine greatness within the galaxy of Pelasgian
divinities[41]: an evolution which attributed to elemental forces and
to national ancestor-gods a power to which no mere local ‘ghost’ could
aspire to attain. The Pelasgians and Minoans in their tribal villages,
and particularly in their city-religion, had, we think, evolved the
distinction between the greater and the lesser gods, between the gods
of the upper air, and those of the sea and of the earth below, which
was so characteristic a feature of later Greek religion. True, many of
their ‘deities’ were nameless, as Herodotus[42] seems to have heard
that they were at Dodona, and as the ancestral spirits of historical
times still were, since they were addressed as _Keres_ at the Athenian
Anthesteria.[43] But the old tribal and city gods must have had names.
It would have been otherwise impossible to distinguish them from one
another in the multitudinous deifications of an ancestor-worshipping and
nature-worshipping peninsula. Coulanges[44] holds that the local gods of
primitive peoples often carry the same name even when they are really
different in form and ritual. But here we think that we can detect the
influence of Homer and the Achaeans. The Homeric god is stereotyped in
form and character as in name. The form and character was created, we
believe, by the military Achaean caste, while the name was in most if
not all cases a Pelasgian product. It was all the more possible for the
Achaeans to give character and personality to the gods, if there had been
local variations in the Pelasgian types. Moreover, the Achaeans drew, so
to speak, a line of demarcation around the gods of their choice. They
created a Pantheon of an exclusive type, which, by its prestige in later
years, checked the Pelasgian tendency to increase the number of the
greater gods, and compelled the Greeks to accept, instead, the worship
of _Heroes_.[45] The creation of such a Pantheon presupposes, we think,
the existence of an identity of type within some widespread organised
society. No mere local poet or city-state could have created it. As we
have no evidence of the existence in pre-Homeric days of a national union
or federation of Minoan kings, or of a national Amphictyony, such as
we meet with in later times, we naturally attribute to the ubiquitous
Achaean caste and their poet-Royal the creation of that Pantheon which
was the mainstay of Achaean religion. But this Pantheon was created
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