Poker Jim, Gentleman, and Other Tales and SketchesLydston, G. Frank (George Frank)
General
Poker Jim, Gentleman, and Other Tales and Sketches
Lydston, G. Frank (George Frank)
American fiction; Short stories, American
Over the entrance of what was once the Iroquois Theater, hangs a
head, which the sculptor probably intended for the Goddess of Music.
As I gaze upon the head its outlines become first blurred and then
transformed. A Death’s head stands out in bold relief! The noble image
of the Indian Chieftain that was once there, has been consigned to the
Limbo of the Forgotten--to the Valley of Dead Lumber. The Death’s head
grins and grins--grins sardonically. One can almost hear a chuckle,
as the horrid thing looks down upon the heedless, hurrying crowd in
the busy street. Seeing the thing above the door as I passed by in the
midst of the throng to-day, I wondered why it grinned,--why it did not
weep. Did it grin because it knew how soulless were the human things
that inspired the hand which carved it; because it and the men who
placed it there were of the same brotherhood of ghouls; because it felt
that it was a grim satire upon humanity?
Have men whose hearts are adamant, whose souls are sordid, the right to
stamp their own shamelessness upon a helpless block of stone; the right
to hang it where it must perforce reflect their own cold, calculating,
emotion defying inner consciousness upon the man in the street?
Beneath the grinning head, and flanking it below on either side, are
impudently assertive, glaring legends that proclaim in lurid blatant
type--“The Iroquois is no more.” The new temple of Thespis which,
Phœnix like, has risen from the ashes of the old, is a “Music Hall.”
More harshly grating than all is the legend which announces that the
new place of amusement will open to-night. Thus have insensate paint,
paper and ink become accessories to a crime.
Yes, to-night the theater re-opens. “Refined Vaudeville” with a
“Galaxy of Stars,” the bill boards say. And as the players caper about
and sing, dance and perpetrate their quips and jokes, will they not
see? They will gaze out upon the audience that applauds, and how can
they fail to see the wraiths of that other audience? They will all
be there, those ghostly ones. Sitting bolt upright where they died,
piled row upon row in the aisles, massed in bewildering tangles at
the doors--those delusive doors that would not open--they will all be
there. And will _they_ applaud, think you?
Public-domain text, read in full here on John Shaqi.
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