The priests carried the girl up the hundred white marble steps to
the western entrance to the temple and through the splendid arch of
a doorway that was fifty feet from pave to vault. Within all was dim
twilight, except in the mighty dome, two hundred feet aloft. There it
was light, indeed.
At the doorway the party halted, and two soldiers shackled Rose with
fetters of heavy gold at her wrists and ankles. Around her waist they
set a girdle of the same yellow metal, to which chains were attached.
That done, they placed a gag in her mouth and led her into the temple.
Here was a place of wonders, such as had its like nowhere in the world.
All around the hall, supporting the ring of masonry on which the dome
rested, were magnificent pillars of marble. The circle of the pavement
which was enclosed by the pillars, and which was nearly a hundred feet
across, was bare, except at its center. There an oblong slab of black
basalt lay from west to east across the gleaming white floor. That
block was the height of a man's waist from the pavement, some six feet
across, and at least ten yards in length.
On one end of the slab, that which pointed west, stood a solid column
of orichalcum, more than a yard in diameter and fifteen feet tall, its
whole substance glowing in the half-light like a pillar of lambent
flame. From base to top the surface of this marvelous plinth was carved
with Maeronican characters and mystic signs. It was the ancient Column
of Laws, whereon was written the prophecy of the future dominion of
Adlaz over all the world.
Over across from the fiery pillar, at the other extremity of the slab,
was a vase, cut out of solid rock-crystal, as tall as a man, but
slenderly fashioned, and as fragile in structure as thin-blown glass.
This basalt block, with its gleaming column and crystal vase, was the
altar of Shamar.
Though the light was dim in the hall below, high in the arch of the
dome was a dazzling play of light and colors. Through prismatic
windows the rays of the sun poured and were translated into all of
the changing hues of the spectrum, and as the prisms were turned by a
concealed mechanism operated from below, the multiplying and shifting
color-shafts, reflected back from the marble walls, combined into a
bewildering and fairy display.
Seated in a stone chair at the foot of one of the pillars in the
northern arc of the circle was Bel-Ar. He was in full armor of black
steel. His pallid face made a ghastly patch in the dusk. Except for the
large, glowing eyes, it might have been taken for the face of a dead
man. Back of the king, filling in the spaces between the pillars with
silent rows of bronze, were the five companies of the palace-guard.
* * * * *
Public-domain text, read in full here on John Shaqi.
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