The Sun-dance lodge was a circular wooden structure of poles with rafters coming together to a point above. From these rafters hooks were suspended by thongs of tough leather. The prospective braves danced around furiously within the structure in a frenzy of excitement, fastening the hooks in their skin and thus lacerating themselves till they sometimes fainted away. This performance was an annual affair on the general principle that they should be always ready for war. There was nothing in the festival that would justify a forcible suppression of it, which would offend the Indians by interference with an ancient custom. But the Mounted Police used their persuasive influence against it and showed the younger Indians how foolish and useless it was. Accordingly, we find Superintendent Steele, who was in command at Fort MacLeod, saying in 1891, "This year both Bloods and Piegans indulged in the time-honoured Sun-dance. From personal observation and careful inquiry I am convinced that this festival has almost entirely ceased to have any significance except to the old people. The vanity of the ancient warrior is no doubt gratified when he recounts his scalps, but there seemed very little interest and no enthusiasm on the part of his audience. The young Indians of both sides seem to look on the whole thing as an excuse for a picnic. Many Indians on the reserves did not take sufficient interest in the festival to attend it. Two braves were made at the Blood dance and none at the Piegans'." So this pagan custom was vanishing. It is now a thing of the past, but we must credit the Police with gradually ending it. About this period there were still some rumblings of discontent amongst the Sioux Indians south of the boundary line in the region of Manitoba. There were recurrent "scares" and many rumours of "Ghost dances" on our side of the line, in expectation, it was said, of an incursion by the Sioux, who were reported to be stirring up our Indians to commit depredations on the settlers. But the presence and the constant patrols of Inspector J. A. McGibbon and his men in the scarlet tunic soon restored the equilibrium of things and calmed the fears of the settlers so that they went peacefully on with their work. A literary outcome of the situation was the widely quoted and beneficially humorous utterance of a punster on the staff of the Winnipeg Free Press, who asserted that the Sioux (sue) scare was seizing a lot of fellows who owed money.