Political and Literary essays, 1908-1913Cromer, Evelyn Baring, Earl of
History
Political and Literary essays, 1908-1913
Cromer, Evelyn Baring, Earl of
Colonies; Colonization; History; Literature
In her more recent work Miss Harrison reverts to this theme, and
subsequently carries us one step further. She maintains that the
original conception of the Greek drama was in no way spectacular. The
Athenians went to the theatre as we go to church. They did not attend to
see players act, but to take part in certain ritualistic things done
(_dromena_). The priests of Dionysos Eleuthereus, of Apollo
Daphnephoros, and of other deities attended in solemn state to assist in
the performance of the rites. With that keen sense of humour which
enlivens all her pages, and which made her speak in her _Themis_ of the
august father of gods and men as "an automatically explosive
thunderstorm," Miss Harrison says, "It is as though at His Majesty's the
front row of stalls was occupied by the whole bench of bishops, with the
Archbishop of Canterbury enthroned in the central stall." The actual
_dromenon_ performed was of the same nature as that which in more modern
times has induced villagers to make Jacks-in-the-Green and to dance
round maypoles. It was always connected with the recurrence of the
seasons and with the death and resurrection of vegetation. In fact, the
whole ritual clustered round the idea represented at a later period in
the well-known and very beautiful lines of Moschus in the _Lament for
Bion_, which may be freely translated thus:
Ah me! The mallows, anise, and each flower
That withers at the blast of winter's breath
Await the vernal, renovating hour
And joyously awake from feignèd death.
The idea which impelled these ancient Greeks to perform ritualistic
_dromena_ on their orchestras, which took the place of what we should
call the stage, is not yet dead. Miss Harrison quotes from Mr. Lawson's
work on modern Greek folklore, which is a perfect mine of knowledge on
the subject of the survival of ancient religious customs in modern
Greece, the story of an old woman in Euboea who was asked on Easter Eve
why village society was in a state of gloom and despondency, and who
replied: "Of course, I am anxious; for if Christ does not rise
to-morrow, we shall have no corn this year."
Public-domain text, read in full here on John Shaqi.
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