Pomegranates from an English Garden: A selection from the poems of Robert BrowningBrowning, Robert
General
Pomegranates from an English Garden: A selection from the poems of Robert Browning
Browning, Robert
English poetry
The paragraph which follows introduces us to a region familiar and
sacred to us, but foreign and inexplicable to our physician, who refers
to it from his own point of view, stigmatizing the claim of “the
Nazarene who wrought this cure” as not only false, but monstrous; and
yet—and yet—and yet—he cannot get over it; it haunts him. But still he
is ashamed to acknowledge it, and so turns abruptly from what he affects
to call “trivial matters” to “things of price,” like “blue-flowering
borage”!
Then he gives another elaborate apology, and tries to account for the
hold the phenomenon has taken of him by a reference to his state of body
and surroundings when first he met this Lazarus; and, accordingly,
professing to care little whether the letter reaches or not, again he
closes.
Yet still he cannot rest. The great thought haunts him. “The very God!
_think_, Abib.” Then follows that consummate passage with which this
magnificent poem closes.
After this “Epistle” should by all means be read “A Death in the
Desert,” too long and too difficult to be inserted here. The surprise
awaiting the reader of the parchment “supposed of Pamphylax the
Antiochene” will add to the interest of a poem so full of beauty and
power.
------------------------------------------------------------------------
CHRISTMAS-EVE & EASTER-DAY.
CHRISTMAS-EVE.
Between Christmas-Eve and Easter-Morn lies the earth history of the
Incarnate Son of God. Into the shadows of our world He came; and, after
a brief night amid its darkness, rose again into the light of heaven.
These titles then may well include the whole substance of Christianity.
Christmas suggests the thought of heaven come down to earth; Easter, of
earth raised up to heaven. “Christmas-Eve” leads naturally to the
contemplation of the Christian Faith; “Easter-Day,” to the contemplation
of the Christian Life.
Each poem turns on an impressive natural phenomenon which suggests the
blending of heaven and earth—the one, of the night, a lunar rainbow; the
other, of the dawn, the aurora borealis.
The speaker (who is the same throughout the former poem) begins his
Christmas-Eve experiences with the flock assembling in “Zion Chapel,” a
congregation of rude, unlettered people, worshipping with heart and soul
indeed, but with little mind and less taste. It is not from choice that
he is there. It is a stormy night of wind and rain, from which he has
taken shelter in the “lath and plaster entry” of the little meeting
house.
I.
* * * * *
Public-domain text, read in full here on John Shaqi.
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