1. Passage leading from Stabian Street. 2. Entrance. 3. Doorkeeper's room. 4. Passage to the Large Theatre, walled up. 5. Stairway leading down from the Forum Triangulare. 6. Athletes' waiting room--Exedra. 7. Room with remains of weapons and cloth. 8. Guard room. 9. Stairs leading to overseer's rooms. 10. Kitchen. 11. Mess room. H. TEMPLE OF ZEUS MILICHIUS. 1. Colonnade. 2. Altar. 3. Cella. 4. Sacristan's room. I. TEMPLE OF ISIS. 1. Colonnade. 2. Cella. 3. Shrine of Harpocrates. 4. Purgatorium. 5. Hall of initiation. 6. Hall of the Mysteries. 7. Priest's residence. K. CITY WALL. L. FOUNDATIONS OF STEPS. [Illustration: PLAN III.--THE FORUM TRIANGULARE WITH ADJACENT BUILDINGS.] CHAPTER XX _GENERAL VIEW OF THE PUBLIC BUILDINGS NEAR THE STABIAN GATE--THE FORUM TRIANGULARE AND THE DORIC TEMPLE_ The end of the old lava stream on which Pompeii lay runs off into two points; in the depression between them, as we have seen, was the Stabian Gate. On the edge of the spur at the left a temple of the Doric style was built in very early times. The descent here, toward the southwest, is so sharp and the height so great that it was not necessary to add a wall at the top as a means of defence. The sides of the temple followed in general the direction of the edge of the cliff. Raised upon a high foundation, it not only dominated the plain below but was visible also from the greater part of the city; glistening in the sun, it became a landmark for mariners far out at sea, who from a distance could offer greetings to the gods there enshrined. In the second century B.C. the northwest corner of the depression back of the Stabian Gate was selected as the site for a large theatre (E on Plan III); previously, we may suppose, temporary wooden structures had answered the purpose. This location was chosen, in accordance with the Greek custom, because the places for the greater part of the seats for the spectators could be easily cut in the natural slope, which here had the shape of half a shallow saucer; a superstructure was necessary only for the upper rows of seats. The architect, if not a Greek, was certainly of Greek training. South of the theatre an extensive colonnade (G) was erected. It was intended as a shelter for theatre-goers, but was afterwards turned into barracks for gladiators.