Besides the classes of inscriptions of which examples have been
presented, all sorts of scratches upon the plastered walls bear
witness to the general enthusiasm for gladiatorial sports. Sometimes
there is simply the name of a gladiator, with his school and the
number of combats, as _Auctus, Iul[ianus], XXXXX_; sometimes we find a
rough outline of a figure with a boastful legend, as _Hermaïscus
invictus hac_, 'Here's the unconquered Hermaïscus.'
There are also memoranda in regard to particular combats, illustrated
by rude sketches. Thus on a wall in the house of the Centenary we find
a drawing of a gladiator in flight, pursued by another, with the note:
_Officiosus fugit VIII Idus Nov[embres] Druso Caesare M. Iunio Silano
cos._,--'Officiosus fled on November 6, in the year 15 A.D.' A similar
sketch has been found in another house, with these words written
beside the fleeing gladiator, _Q. P[e]tronius O[c]ta[v]us XXXIII,
m[issus]_; beside the pursuer, _Severus lib[ertus], XXXXXV, v[icit]_.
Severus was thus a gladiator who had been a slave, and had gained his
freedom: he had fought fifty-five combats. Petronius Octavus may have
been a freeman, who had fought on his own account from the beginning.
In taverns a painting of a gladiator with an inscription like the
record of a programme was a favorite subject of decoration.
Athletes in all ages have won the admiration of the gentler sex; and
it would be surprising if among so many gladiatorial graffiti there
were not some containing references to female admirers. In the
peristyle of a house on Nola Street (V. v. 3) the names of about
thirty gladiators are found; the kinds of weapons and the owners are
designated, and the number of previous combats given, as in the
programmes, while records of the results of the combats are entirely
lacking. Terms of endearment are lavished upon two, Celadus, Threx,
and Crescens, net fighter; Celadus is _suspirium puellarum_, 'maidens'
sigh,' and _puellarum decus_, 'glory of girls'; while Crescens is
_puparum dominus_, 'lord o' lassies,' and _puparum medicus_, 'the
darlings' doctor.'
Another graffito informs us that at one time--before the year 63--a
gladiator lived in this house: _Samus / Ↄ / m[urmillo], idem eq[ues],
hic hab[itat]_,--'Samus, who has fought once, and once conquered (_Ↄ_
is for _corona_, 'crown'), Myrmillo, and at the same time fighter on
horseback, lives here.' Other gladiators, no doubt, shared the
dwelling with him; and the amatory graffiti may have been written by
one and another _miles gloriosus_, referring to conquests outside the
arena, or by companions in bitter scorn.
CHAPTER XXXI
_STREETS, WATER SYSTEM, AND WAYSIDE SHRINES_
[Illustration: Fig. 102.--View of Abbondanza Street, looking east.
At the left, fountain of Concordia Augusta, and side entrance of the
Eumachia building. In the pavement, three stepping stones.]
Public-domain text, read in full here on John Shaqi.
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