The oblong room at the right of the tablinum (10) was once square, as (9). Both were well adapted for winter dining rooms; in summer, meals were undoubtedly served in the tablinum. The room at the left of the entrance (2) was a shop, at least in later times. The corresponding room on the other side (6') was retained for domestic use. The shop at the right (3) and the back room (4), as well as the kitchen with the adjoining rooms at the rear, used as store closets and quarters for slaves, were a later addition; 22 is a light court, to which the rain water was conducted from different parts of the roof. Over these rooms was a second story reached by stairs leading from the colonnade (18). It may be that this part of the house took the place of a garden in which previously there was an outside kitchen; that the ground belonged to the house from the beginning is clear from the existence of a door between the rooms 6' and 3, afterwards walled up, and the appearance of the unbroken party wall on this side. The rooms about the atrium had no upper floor, and were relatively high; the doors measured nearly twelve feet in height, and the ceiling of the tablinum was not far from twenty feet above the floor. In respect to height, this house was not unlike those of the next period. In the later years of the city, but before 63, the decoration was renewed in the fourth style. There are paintings of interest, however, only in the room at the rear (19), which had a large window opening on the garden. In one of the panels here we see a man sitting with a writing tablet in his hand; opposite him are two girls, one sitting, the other standing; the latter holds a roll of papyrus. This kind of genre picture is not uncommon; the type is spoken of elsewhere (p. 477). In another panel, which was transferred to the Naples Museum, a young woman is represented as painting a herm of Dionysus (Fig. 133); a Cupid is holding the unfinished picture while she mixes colors on her palette. Two other maidens are watching the artist with unfeigned interest. Upon the pillar behind the herm hangs a small painting; in the vista another herm is seen, together with a vase standing on a pillar. [Illustration: Fig. 133.--A young woman painting a herm. Wall painting from the house of the Surgeon.] The room contained a third picture which is now almost obliterated. Perhaps this pleasant apartment was once the boudoir of a favorite daughter, who busied herself with painting and verse. CHAPTER XXXV _THE HOUSE OF SALLUST_