The colonnade about the court was built of tufa, and coated with white stucco. It presents an odd mixture of styles, of which other examples also are found at Pompeii; a Doric entablature with triglyphs was placed upon Ionic columns having the four-sided capital known as Roman Ionic. Here, as in the earlier colonnade about the Forum, the stone blocks of the entablature were set upon beams; and in the blocks now in place we may see the sockets made to receive the ends of the joists of the second story floor. Evidently with the purpose of supporting this second story, which was probably of the Corinthian order, the Ionic columns below were made relatively short. No remains of an upper gallery, however, have been found; and it is quite possible that when the colonnade was restored, after the earthquake, the second story was omitted. The upper floor could be reached from the second story of the small colonnade north of the court, which was accessible by means of a stairway leading from the Forum. [Illustration: Fig. 30.--View of the temple of Apollo, looking toward Vesuvius. At the left of the steps, the column on which was the sundial; in front of the steps, the altar.] When the restoration of the temple and its colonnade was undertaken, the feeling for the pure and simple forms of the Greek architecture was no longer present; the prevailing taste demanded gay and fantastic designs, with the use of brilliant colors. The Pompeians improved the opportunity afforded by the rebuilding to make the temple and its colonnade conform to the taste of the times. First the projecting portions of the Ionic and Corinthian capitals were cut off; then shaft and capital alike were covered with a thick layer of stucco. New capitals were moulded in the stucco, of a shape in general resembling the Corinthian, and were painted in red, blue, and yellow; the lower part of the shaft, unfluted, was also painted yellow. The entablature, at least in the case of the colonnade, was in like manner covered with stucco and ornamented with reliefs in the same colors. All this gaudy stucco has now fallen off; and our illustration (Fig. 31) is taken from Mazois, who made the drawing soon after the court was excavated. The later capitals and stucco ornamentation of the temple itself had wholly disappeared before the excavations were made. [Illustration: Fig. 31.--Section of the entablature of the temple of Apollo, showing the original form and the restoration after the earthquake.]