Further on, in front of the fifth column on either side, was a marble
herm. That on the right is still in place and is seen in Plate II. It
is of fine workmanship, and clearly belongs to the pre-Roman period;
it represents Hermes, or Mercury. The god appears as a youth standing
with his mantle drawn over the back of his head; the face, with a
placid, serious, mild expression, is inclined a little forward. In
this form Mercury was honored as the presiding divinity of the
palaestra, the god of gymnastic exercises; we shall find him in the
same guise later in the court of the Stabian Baths (p. 200). How this
type of Hermes came to be chosen for the place of honor in athletic
courts is by no means clear; it was certainly designed originally to
represent him as a god of death, the Psychopompus, conductor of souls
to the Underworld. The worship of Mercury here as a god of gymnastic
exercises would not be in harmony with the surroundings; we should
rather believe that the Pompeians, having placed him in such close
relation with Apollo, god of the death-dealing shaft, and the earth
goddess, Maia, associated more serious ideas with his image.
[Illustration: PLATE II.--COURT OF THE TEMPLE OF APOLLO]
The herm on the opposite side of the court probably represented Maia.
No trace of it has been found; the female herm in the Naples Museum
formerly assigned to this place is now known to have been brought from
Rome. In Greek mythology, the mother of Hermes was Maia, the daughter
of Atlas; and this relationship, by a common confusion, was
transferred to the Italian Maia, who was originally goddess of the
spring, and gave her name to the month of May. The assignment of the
herm opposite Mercury to Maia is based upon a number of inscriptions
which establish the existence of a cult of Mercury and Maia in
Pompeii. From the same source we learn that with the worship of these
two that of Augustus was intimately associated; there are few better
illustrations of the development of emperor worship in the Early
Empire.
These inscriptions were found in different places, none of them in
their original location. They are dedications once attached to votive
offerings, of which one was set up each year by a college of priests,
consisting of slaves and freedmen, under the general direction of the
city authorities. The official title of this college at first,
certainly to 14 B.C., was _Ministri Mercurii Maiae_, 'Servants of
Mercury and Maia'; the word _minister_ indicates a low order of
priesthood. The worship of the emperor was then added, and the priests
were called 'Servants of Augustus, Mercury, and Maia.' Still later, at
least as early as 2 B.C., the names of the two divinities were
dropped, and the priests were designated simply as 'Servants of
Augustus.'
Public-domain text, read in full here on John Shaqi.
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