In the last chapter I have said in few words that Bessy Goodwin had been
sent to school, and had since returned home. She had been home nearly a
year before the period to which I brought up my history, but now she no
longer was employed in any menial service, the girl who had been hired
during her absence being still retained. Bessy now superintended the
household, but did nothing more; and there was a greater degree of
comfort and expenditure than had formerly been the case. Whether this
was on Bessy's account, or from Bessy's imbibed ideas, I cannot pretend
to say; but certainly there was a great change in our style of living,
which Bramble appeared to sanction. Mrs Maddox remained as a mere
pensioner, sitting by the fire, and perhaps finishing a pair of
stockings about every five or six weeks, talking as usual at and to
everybody and with everything. In another point, also, there was a
change in Bramble's house: it was much oftener filled with company; this
was, I presume, to be ascribed to Bessy's personal charms, which
certainly were very great. She was of a peculiar and much admired style
of beauty, a description which strikes some people at first sight, and
not others--those not perceiving it at first eventually admiring it even
more than the others. She was taller than the middle height, her person
finely developed, yet not so much so as to take away from its grace: her
complexion was pale and clear, her eyes and hair very dark; there was a
coldness about her beauty when in repose, like statuary marble; but if
the least excited or animated, the colour would mantle in her cheek; her
eyes would beam, till they appeared as if, like bright planets, they
could almost cast a shadow; and dimples, before concealed, would show
themselves when indulged in her silvery laugh. Although her form was
commanding, still she was very feminine: there was great attraction in
her face, even when in repose--she was cold, but not chilling.
Public-domain text, read in full here on John Shaqi.
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