France -- Social life and customs -- 19th century -- Fiction; Paris (France) -- Fiction
The Brazilian made no reply. He had become the tiger, and had
recovered the imperturbable cool ferocity that had been so striking at
dinner. He was as calm as a bankrupt the day after he has stopped
payment.
At the door of the house stood a hackney coach with two horses, of the
kind known as a _Compagnie Generale_, from the Company that runs them.
"Stay here in the box," said the old woman to Montes. "This is not an
open house like a tavern. I will send for you."
The paradise of Madame Marneffe and Wenceslas was not at all like that
of Crevel--who, finding it useless now, had just sold his to the Comte
Maxime de Trailles. This paradise, the paradise of all comers,
consisted of a room on the fourth floor opening to the landing, in a
house close to the Italian Opera. On each floor of this house there
was a room which had originally served as the kitchen to the
apartments on that floor. But the house having become a sort of inn,
let out for clandestine love affairs at an exorbitant price, the
owner, the real Madame Nourrisson, an old-clothes buyer in the Rue
Nueve Saint-Marc, had wisely appreciated the great value of these
kitchens, and had turned them into a sort of dining-rooms. Each of
these rooms, built between thick party-walls and with windows to the
street, was entirely shut in by very thick double doors on the
landing. Thus the most important secrets could be discussed over a
dinner, with no risk of being overheard. For greater security, the
windows had shutters inside and out. These rooms, in consequence of
this peculiarity, were let for twelve hundred francs a month. The
whole house, full of such paradises and mysteries was rented by Madame
Nourrisson the First for twenty-eight thousand francs of clear profit,
after paying her housekeeper, Madame Nourrisson the Second, for she
did not manage it herself.
The paradise let to Count Steinbock had been hung with chintz; the
cold, hard floor, of common tiles reddened with encaustic, was not
felt through a soft thick carpet. The furniture consisted of two
pretty chairs and a bed in an alcove, just now half hidden by a table
loaded with the remains of an elegant dinner, while two bottles with
long necks and an empty champagne-bottle in ice strewed the field of
bacchus cultivated by Venus.
There were also--the property, no doubt, of Valerie--a low easy-chair
and a man's smoking-chair, and a pretty toilet chest of drawers in
rosewood, the mirror handsomely framed _a la_ Pompadour. A lamp
hanging from the ceiling gave a subdued light, increased by wax
candles on the table and on the chimney-shelf.
This sketch will suffice to give an idea, _urbi et orbi_, of
clandestine passion in the squalid style stamped on it in Paris in
1840. How far, alas! from the adulterous love, symbolized by Vulcan's
nets, three thousand years ago.
When Montes and Cydalise came upstairs, Valerie, standing before the
fire, where a log was blazing, was allowing Wenceslas to lace her
stays.
Public-domain text, read in full here on John Shaqi.
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