France -- Social life and customs -- 19th century -- Fiction; Paris (France) -- Fiction
Like the true Creole of Paris, Madame Marneffe abhorred trouble; she
had the calm indifference of a cat, which never jumps or runs but when
urged by necessity. To her, life must be all pleasure; and the
pleasure without difficulties. She loved flowers, provided they were
brought to her. She could not imagine going to the play but to a good
box, at her own command, and in a carriage to take her there. Valerie
inherited these courtesan tastes from her mother, on whom General
Montcornet had lavished luxury when he was in Paris, and who for
twenty years had seen all the world at her feet; who had been wasteful
and prodigal, squandering her all in the luxurious living of which the
programme has been lost since the fall of Napoleon.
The grandees of the Empire were a match in their follies for the great
nobles of the last century. Under the Restoration the nobility cannot
forget that it has been beaten and robbed, and so, with two or three
exceptions, it has become thrifty, prudent, and stay-at-home, in
short, bourgeois and penurious. Since then, 1830 has crowned the work
of 1793. In France, henceforth, there will be great names, but no
great houses, unless there should be political changes which we can
hardly foresee. Everything takes the stamp of individuality. The
wisest invest in annuities. Family pride is destroyed.
The bitter pressure of poverty which had stung Valerie to the quick on
the day when, to use Marneffe's expression, she had "caught on" with
Hulot, had brought the young woman to the conclusion that she would
make a fortune by means of her good looks. So, for some days, she had
been feeling the need of having a friend about her to take the place
of a mother--a devoted friend, to whom such things may be told as must
be hidden from a waiting-maid, and who could act, come and go, and
think for her, a beast of burden resigned to an unequal share of life.
Now, she, quite as keenly as Lisbeth, had understood the Baron's
motives for fostering the intimacy between his cousin and herself.
Prompted by the formidable perspicacity of the Parisian half-breed,
who spends her days stretched on a sofa, turning the lantern of her
detective spirit on the obscurest depths of souls, sentiments, and
intrigues, she had decided on making an ally of the spy. This
supremely rash step was, perhaps premeditated; she had discerned the
true nature of this ardent creature, burning with wasted passion, and
meant to attach her to herself. Thus, their conversation was like the
stone a traveler casts into an abyss to demonstrate its depth. And
Madame Marneffe had been terrified to find this old maid a combination
of Iago and Richard III., so feeble as she seemed, so humble, and so
little to be feared.
Public-domain text, read in full here on John Shaqi.
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