Americans -- England -- Fiction; Authors -- Fiction; Families -- Fiction; Love stories
"Yes," said John, quickly. He had not the least idea really, but he had
long ago ceased to have any scruples about preventing James first of all
from trying to remember a quotation, secondly from trying to find it,
thirdly from asking Beatrice where she had hidden the book in which it
was to be found, and finally from not only reading it when the book was
found, but also from reading page after page of irrelevant matter in the
context. "Though Ambles is really very jolly," he added. "I'm expecting
you and Beatrice to spend Christmas with me, you know."
James grunted.
"Well, we'll see about that. I don't belong to the Dickens Fellowship
and I shall be pretty busy. You popular authors soon forget what it
means to be busy. So you've had another success? Who was it this
time--Lucretia Borgia, eh?" he laughed, bitterly. "Good lord, it's
incredible, isn't it? But the English drama's in a sick state--a very
sick state."
"All contemporary art is in a sick state according to the critics," John
observed. "Critics are like doctors; they are not prejudiced in favor of
general good-health."
"Well, isn't it in a sick state?" James demanded, truculently.
"I don't know that I think it is. However, don't let's begin an argument
before supper. Where's Beatrice?"
"She bought a new hat yesterday and has gone to demonstrate its
becomingness to God and woman."
"I suppose you mean she's gone to church? I went to church myself this
morning."
"What for? Copy?"
"No, no, no. I took George's children."
"You don't mean to say that you've got _them_ with you?"
John nodded, and his brother exploded with an uproarious laugh.
"Well, I was fool enough to marry before I was thirty," he bellowed.
"But at any rate I wasn't fool enough to have any children. So you're
going to sup with us. I ought to warn you it's cold mutton to-night."
"Really? Capital! There's nothing I like better than cold mutton."
"Upon my soul, Johnnie, I'll say this for you. You may write stale
romantic plays about the past, but you manage to keep plenty of romantic
sauce for the present. Yes, you're a born optimist. Look at your
skin--pink as a baby's. Look at mine--yellow as a horse's tooth. Have
you heard my new name for your habit of mind? Rosification. Rather good,
eh? And you can rosify anything from Lucretia Borgia to cold mutton.
Now don't look angry with me, Johnnie; you must rosify my ill-humor.
With so many roses you can't expect not to have a few thorns as well,
and I'm one of them. No, seriously, I congratulate you on your success.
And I always try to remember that you write with your tongue in your
cheek."
"On the contrary I believe I write as well as I can," said John,
earnestly. "I admit that I gave up writing realistic novels, but that
was because they didn't suit my temperament."
"No, by gad, they didn't! And, anyway, no Englishman can write a
realistic novel--or any other kind of a novel if it comes to that. My
lord, the English novel!"
Public-domain text, read in full here on John Shaqi.
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