Americans -- England -- Fiction; Authors -- Fiction; Families -- Fiction; Love stories
"Look here," John protested. "I do not want to argue about either plays
or novels to-night. But if you must talk about books, talk about your
own, not mine. Beatrice wrote to me that you had something coming along
about the French Symbolists. I shouldn't have thought that they would
have appealed to you."
"They don't. I hate them."
"Well, why write a book about them? Their day has been over a long
time."
"To smash them. To prove that they were a pretentious set of epileptic
humbugs."
"Sort of Max Nordau business?"
"Max Nordau! I hope you aren't going to compare me with that flat-footed
bus-conductor. No, no, Johnnie, the rascals took themselves seriously
and I'm going to smash them on their own estimate of their own
importance. I'm going to prove that they were on the wrong track and led
nowhere."
"It's consoling to learn that even French literature can go off the
lines sometimes."
"Of course it can, because it runs on lines. English literature on the
contrary never had any lines on which to run, though in the eighteenth
century it followed a fairly decent coaching-road. Modern English
literature, however, is like a rogue elephant trampling down the jungle
that its predecessors made some attempt to cultivate."
"I never knew that even moral elephants had taken up agriculture
seriously."
James blew all the ashes of his pipe over Beyle in a gust of contempt,
and rose from his chair.
"The smirk!" he cried. "The traditional British smirk! The gerumky-gerum
horse-laugh! British humor! Ha-ha! Begotten by Punch out of Mrs. Grundy
with the Spectator for godfather. '_Go to, you have made me mad._'"
"It's a pity you can't tell me about your new book without flying into a
rage," John said, mildly. "You haven't told me yet when it's to appear."
"My fourteen readers aren't languishing. But to repay politeness by
politeness, my book will come out in March."
"I'm looking forward to it," John declared. "Have you got good terms
from Worrall?"
"As good terms as a consumptive bankrupt might expect from Shylock. What
does the British public care for criticism? You should hear me reading
the proofs to Beatrice. You should really have the pleasure of watching
her face, and listening to her comments. Do you know why Beatrice goes
to church? I'll tell you. She goes to indulge in a debauch of the
accumulated yawns of the week."
"Hush, here she is," John warned him.
James laughed again.
"Johnnie, you're _impayable_. Your sensitiveness to Beatrice betrays the
fount of your success. You treat the British public with just the same
gentlemanly gurgle. And above all you're a good salesman. That's where
George failed when he tried whisky on commission."
"I don't believe you're half the misanthropist you make yourself out."
Public-domain text, read in full here on John Shaqi.
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