He did neither. They drove in silence through the town and passed over
a small bridge and into the road that led to the farm. Tom was curious
about his daughter and a little uncomfortable. Ever since the evening
on the porch of the farmhouse, when he had accused her of some unnamed
relationship with John May, he had felt guilty in her presence but had
succeeded in transferring the notion of guilt to her. While she was away
at school he had been comfortable. Sometimes he did not think of her
for a month at a time. Now she had written that she did not intend to go
back. She had not asked his advice, but had said positively that she was
coming home to stay. He wondered what was up. Had she got into another
affair with a man? He wanted to ask, had intended to ask, but in her
presence found that the words he had intended to say would not come to
his lips. After a long silence Clara began to ask questions about the
farm, the men who worked there, her aunt's health, the usual home-coming
questions. Her father answered with generalities. “They're all right,”
he said, “every one and everything's all right.”
The road began to lift out of the valley in which the town lay, and Tom
stopped the horse and pointing with the whip talked of the town. He was
relieved to have the silence broken, and decided not to say anything
about the letter announcing the end of her school life. “You see there,”
he said, pointing to where the wall of a new brick factory arose above
the trees that grew beside the river. “That's a new factory we're
building. We're going to make corn-cutting machines there. The old
factory's already too small. We've sold it to a new company that's going
to manufacture bicycles. Steve Hunter and I sold it. We got twice what
we paid for it. When the bicycle factory's started, he and I'll own the
control in that too. I tell you the town's on the boom.”
Public-domain text, read in full here on John Shaqi.
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