“Ha, that Geers! He waits. He doesn't think of the people but of the
horse he's driving. When the time comes, just the right time, that
Geers, he lets the horse know. They are one at that moment, like Grant
and I were over that bottle of whisky. Something happens between them.
Something inside the man says, 'now,' and the message runs along the
reins to the horse's brain. It flies down into his legs. There is a
rush. The head of the horse has just worked its way out in front by
inches--not too soon, nothing wasted. Ha, that Geers! Bud Doble, huh!”
On the night of Clara's marriage after she and Hugh had disappeared
down the county seat road, Jim hurried into the barn and, bringing out
a horse, sprang on his back. He was sixty-three but could mount a horse
like a young man. As he rode furiously toward Bidwell he thought, not of
Clara and her adventure, but of her father. To both men the right kind
of marriage meant success in life for a woman. Nothing else really
mattered much if that were accomplished. He thought of Tom Butterworth,
who, he told himself, had fussed with Clara just as Bud Doble often
fussed with a horse in a race. He had himself been like Pop Geers. All
along he had known and understood the mare colt, Clara. Now she had come
through; she had won the race of life.
“Ha, that old fool!” Jim whispered to himself as he rode swiftly down
the dark road. When the horse ran clattering over a small wooden bridge
and came to the first of the houses of the town, he felt like one coming
to announce a victory, and half expected a vast shout to come out of the
darkness, as it had come in the moment of Grant's victory over Lee.
Jim could not find his employer at the hotel or in Main Street, but
remembered a tale he had heard whispered. Fanny Twist the milliner lived
in a little frame house in Garfield Street, far out at the eastern edge
of town, and he went there. He banged boldly on the door and the woman
appeared. “I've got to see Tom Butterworth,” he said. “It's important.
It's about his daughter. Something has happened to her.”
The door closed and presently Tom came around the corner of the house.
He was furious. Jim's horse stood in the road, and he went straight
to him and took hold of the bit. “What do you mean by coming here?” he
asked sharply. “Who told you I was here? What business you got coming
here and making a show of yourself? What's the matter of you? Are you
drunk or out of your head?”
Jim got off the horse and told Tom the news. For a moment the two stood
looking at each other. “Hugh McVey--Hugh McVey, by crackies, are you
right, Jim?” Tom exclaimed. “No missfire, eh? She's really gone and done
it? Hugh McVey, eh? By crackies!”
Public-domain text, read in full here on John Shaqi.
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