Popular lectures on scientific subjects : $b Second series, with an autobiography of the authorHelmholtz, Hermann von
Science
Popular lectures on scientific subjects : $b Second series, with an autobiography of the author
Helmholtz, Hermann von
Science; Universities and colleges -- Germany
The statements I have made may perhaps appear exaggerated. But they
depend upon measurements, and you can control them by well-known
observations. According to Wollaston, the light of the full moon is
equal to that of a candle burning at a distance of 12 feet. You know
that we cannot read by the light of the full moon, though we can read
at a distance of three or four feet from a candle. Now assume that you
suddenly passed from a room in daylight to a vault perfectly dark, with
the exception of the light of a single candle. You would at first think
you were in absolute darkness, and at most you would only recognise the
candle itself. In any case, you would not recognise the slightest trace
of any objects at a distance of 12 feet from the candle. These however
are the objects whose illumination is the same as that which the
moonlight gives. You would only become accustomed to the darkness after
some time, and you would then find your way about without difficulty.
If, now, you return to the daylight, which before was perfectly
comfortable, it will appear so dazzling that you will perhaps have
to close the eyes, and only be able to gaze round with a painful
glare. You see thus that we are concerned here not with minute, but
with colossal, differences. How now is it possible that, under such
circumstances, we can imagine there is any similarity between the
picture and reality?
Our discussion of what we did not see at first, but could afterwards
see in the vault, points to the most important element in the solution;
it is the varying extent to which our senses are deadened by light;
a process to which we can attach the same name, fatigue, as that
for the corresponding one in the muscle. Any activity of our nervous
system diminishes its power for the time being. The muscle is tired by
work, the brain is tired by thinking, and by mental operations; the
eye is tired by light, and the more so the more powerful the light.
Fatigue makes it dull and insensitive to new impressions, so that it
appreciates strong ones only moderately, and weak ones not at all.
Public-domain text, read in full here on John Shaqi.
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