As early as 1814, however, M. Niepce had made a series of experiments in photography, and subsequently having heard that M. Daguerre was turning his attention to the same subject, he communicated with him. In 1827 a paper was read before the Royal Society, and in 1829 a partnership deed was drawn up between Daguerre and Niepce for “copying engravings by photography.” Daguerre worked hard, and at length succeeded in obtaining a picture by a long process, to which, perhaps, some of our readers are indebted for their likenesses forty years ago. By means of iodine evaporated on a metal plate covered with “gold-yellow,” and exposing the plate then in a second box to mercurial vapour, he marked the image in the camera, and then he immersed the plate in hyposulphate of soda, and was able to expose the image obtained to daylight. [Illustration: Fig. 164. Arrangement of lenses Fig. 165.] But the mode now in use is the “collodion” process. We have all seen the photographer pouring the iodized collodion on the plate, and letting the superfluous liquid drain from a corner of the glass. When it is dry the glass-plate is dipped into a solution of nitrate of silver, and then in a few minutes the glass is ready. The focus is then arranged, and the prepared plate conveyed in a special slide—to keep it from the light—to the camera. When the “patient” is ready, the covering of the lens is removed, and the light works the image into the sensitive plate. The impression is then “brought up,” and when developed is washed in water, and after by a solution which dissolves all the silver from the parts not darkened by the light. Thus the negative is obtained and printed from in the usual manner. Instantaneous photography is now practised with great success. An express train, or the movements of a horse at full speed, can thus be taken in a second or less. These results are obtained by using prepared plates, and the “emulsion process,” as it is called, succeeds admirably. The mode of preparation is given in a late work upon the subject, and the photographic plates may also be obtained ready for use. Gelatine and water, mixed with bromide of ammonium, nitrate of silver, and carbonate of ammonium, mixed with certain proportions of water, form the “emulsion.” We need not go into all the details here. Information can easily be obtained from published works, and as the plates can be purchased by amateurs, they will find that the best way.