noise.” Glazed, or hard snow, would have a contrary effect. Reynault also experimentally verified his theory, that sound when passing through a space of nearly 8,000 feet lost velocity as its intensity diminished, and in that distance between its arrival at 4,000 feet and at 7,500 feet, the sound velocity diminished by 2·2 feet per second. He also tried to demonstrate that sound velocity depended upon its pitch, and that lower notes travelled with the greater speed. _The reflection and refraction of sound_ follows the same fundamental laws as the reflection and refraction of light. The reflection of sound is termed an _Echo_, which is familiar to all tourists in Switzerland and Ireland particularly. There are several very remarkable echoes in the world: at Woodstock, and at the Sicilian cathedral of Gergenti, where the confessions poured forth near the door to priestly ears were heard by a man concealed behind the high altar at the opposite end. It is curious that such a spot should have been accidentally chosen for the Confessional. The whispering gallery in St. Paul’s is another instance of the echo. Echoes are produced by the reflection of sound waves from a plane or even surface. A wall, or even a cloud, will produce echoes. Thunder is echoed from the clouds. (The celebrated echo of “Paddy Blake,” at Killarney, which, when you say “How do you do,” is reported to reply, “Very well, thank you,” can scarcely be quoted as a scientific illustration.) And the hills of Killarney contain an echo, and the bugle sounds are beautifully repeated. In the cases of ordinary echo, when the speaker waits for the answer, he must place himself _opposite_ the rock. If he stand at the side the echo will reply to another person in a corresponding place on the farther side, for the voice then strikes the rock at an angle, and the angle of reflection is the same, as in the case of light. But if it should happen that there are a number of reflecting surfaces the echo will be repeated over and over again, as at the Lakes of Killarney. The Woodstock Echo, already referred to, and mentioned by several writers, repeats seventeen syllables by day, and twenty by night. In Shipley there is even a greater repetition. Of course the echo is fainter, because the waves are weaker if the reflecting surface be flat. But, as in the case of the mirrors reflecting light, a circular or concave surface will increase the intensity. A watch placed in one mirror will be heard ticking in the other focus. Whispering galleries carry sound by means of the curved surface. Sir John Herschel mentions an echo in the Menai Suspension Bridge. The blow of a hammer on one of the main piers will produce the sound from each of the crossbeams supporting the roadway, and from the opposite pier 576 feet distant, as well as many other repetitions.