The furnaces, he tells us, which are now of larger dimensions than
formerly, are built over a capacious arched vault, and the hearth or
fireplace extends across the whole width of the front of the furnace. It
would seem that the process of firing is carried on more rapidly than in
former days, and to economise fuel and time the smaller pieces at any
rate are taken out a few hours after the extinction of the fire.
Sometimes on opening the furnace the whole contents, both seggars and
porcelain, are found to be reduced to a half-melted mass as hard as a
rock. A change in the weather may alter in a moment the action of the
fire, so that a hundred workmen are ruined to one who succeeds and is
able to set up a crockery shop.
The ware made in European style finds no favour with the Chinese, and if
not accepted by the export merchants remains on the maker’s hands.
We are told of the marvellous _tours de force_ executed in porcelain,
some years ago, for the heir-apparent, especially of certain open-work
lanterns[82] and strange musical instruments. We see from this at how
early a date the future emperor (Yung-cheng) showed an interest in
porcelain. The Chinese, it is said, succeed above all in grotesques and
in figures of animals; the workmen make ducks and tortoises that float
on the water. They make, too, many statues of Kwan-yin,--she is
represented holding a child in her arms, and in this form is invoked by
sterile women who wish for children.
The mandarins, he continues, who appreciate the talents of Europeans for
ingenious novelties, have sometimes asked me to procure for them from
Europe new and curious designs, so that they may have something singular
to present to the emperor.[83] On the other hand, the Christian workmen
strongly urged me to do no such thing. For the mandarins do not yield so
easily as our merchants when told that a proposed work is impracticable.
Many are the _bastinados_ given to the men before the official will
abandon the design from which he hoped so much profit.
‘What becomes of the vast accumulation of potsherds, both from the
seggars and from the firings?’ the writer finally asks. Mixed with lime,
they are largely used to form a cement with which the walls of gardens
and roads are constructed. They also help to build up the new ground
which is reclaimed from the banks of the river. Carried down thence by
the floods, they form a glittering pavement for many miles below the
town.
Public-domain text, read in full here on John Shaqi.
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