We have to wait nearly three hundred years for the first attempts at the
manufacture of porcelain in Japan. Gorodayu Shonsui, the second great
name in the history of Japanese ceramics, made his way to Fuchow early
in the sixteenth century. He probably visited King-te-chen, and returned
to Japan in the year 1513, bringing with him specimens of the materials
used by the Chinese, both for the paste and for the glaze of their
porcelain. But although Shonsui on his return settled at Arita, in the
centre of what was at a later time the principal porcelain district of
Japan, he appears never to have discovered the precious deposits of
kaolin in the neighbouring hills; for when the supplies brought from
China came to an end, he and his successors had to fall back upon the
manufacture of fayence. A few specimens of the ware he made have been
preserved in Japan, and it has often been copied since Shonsui’s
time--even in China, it is said. It is a fair imitation of the Ming blue
and white, and we may note that the plum-blossom often occurs in the
decoration. We are told that the secret of the process of _enamel
painting_ was rigorously kept from Shonsui. We have seen that it is at
least doubtful whether this process was known to the Chinese at that
time, but the reference may be to the ware covered with polychrome
painted glazes.
There are two pieces attributed to Shonsui, on native evidence, in the
historical collection of Japanese pottery at South Kensington, but it is
very doubtful whether these very ordinary pieces of blue and white are
even as old as the later date (1580-90) somewhat strangely attributed to
them on the same authority.
And now the Korean potter is found again on the scene. It was reserved
for Risampei, a native of that country, to recognise for the first
time--in 1599, it is said--the value of the white crumbling rocks
out-cropping on the hills that rise at the back of Arita. Here he built
his kilns and succeeded in making a fairly good imitation of the Chinese
blue and white which was now becoming more and more in request as an
article of commerce.
Public-domain text, read in full here on John Shaqi.
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