Under the republican _régime_ that succeeded the revolution of 1848, it
was again proposed for a moment to sever the connection with the State,
but with the establishment of the second empire a fresh life was given
to the manufactory, on the appointment of Dieterle, an artist of repute,
to the directorship. Some new developments were now attempted,
especially in the introduction of coloured pastes. It was only after
many fruitless attempts that any results were obtained by this new
system. It is indeed a process quite foreign to the nature of porcelain,
and even when technically successful the result is far from
satisfactory. At a later time, however, the experience gained by the
experiments of Salvétat enabled a potter of great skill and some feeling
for art to employ the coloured pastes with greater simplicity and better
effect. M. Solon, since so well known in England, was the most
successful worker in this material. The decoration in his hands took the
form of a white slip, or _barbotine_, laid on a coloured ground. After
firing, the light and shade of the design is brought out by the varying
thickness of the now translucent coating, which allows more or less of
the coloured ground to be seen through it. In spite of its delicacy and
refinement the effect of this work is somewhat effete, both in style and
colour. In inferior hands, working with poorer material, the result is
deplorable.
At the present time, after experiments with many materials--the
crystalline glazes made with bismuth were at one time in favour--it is
to the production of artistic effects by means of single glazes that the
greatest attention is given at Sèvres, following more or less in the
lines of the _flambé_ wares of China. Not long since, a proposal was
again made in the Chamber of Deputies that the support of the Government
should be withdrawn from the factory. It is said that a timely report in
an English paper to the effect that, in such a case, the works would be
run by an Anglo-American syndicate, had not a little to do with the
defeat of this motion.
LESSER PARISIAN FACTORIES OF HARD PASTE.--In spite of the numerous
edicts and proclamations by which it was attempted to maintain the
monopoly of the royal works at Sèvres, there were in Paris, in the time
of Louis XVI., a number of private factories, some of them under the
patronage of members of the royal family.
It was in Paris that Brancas Lauraguais, as early as 1758, made his
experiments with kaolin, and here, in the Saint-Lazare district, one of
the Hannong family (Pierre Antoine, of the third generation, the same
who had lately failed at Vincennes) made porcelain after the German
style, perhaps before 1770. These works were patronised at a later day
by the king’s brother, the Comte d’Artois.
Public-domain text, read in full here on John Shaqi.
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