She is now as pale as death. She lifts her hand and lays it impulsively
against his lips, as though to prevent his further speech. She is
trembling a little (from anger, she tells herself), and her breath is
coming quickly and unevenly, so she stands for a moment collecting
herself, with her fingers pressed against his lips, and then the
agitation dies, and a strange coldness takes its place.
"You are sure you love me?" she asks, at length, in a hard, clear voice,
so unlike her usual soft tones, that it startles even herself.
"My beloved, can't you see it?" he says, with deep emotion.
"Very well, then, I will marry you some day. And--and to-morrow--it must
be _to-morrow_--you will let Roger know I am engaged to you? You quite
understand?"
He does, though he will not acknowledge it even to himself.
"Dulce, my own soul!" he says, brokenly; and, kneeling on the grass at
her feet, he lifts both her hands and presses them passionately to his
lips.
They are so cold and lifeless that they chill him to his very heart.
CHAPTER XVII.
"Too early seen unknown, and known too late!"
--ROMEO AND JULIET.
"There's neither honesty, manhood, nor good fellowship in thee."
--HENRY IV.
IT is next day. There has been rain in the night--_heavy_ rain--and the
earth looks soaked and brown and desolate. Great storms, too, had
arisen, and scattered the unoffending leaves far and wide, until all the
paths are strewn with rustling types of death. Just now the drops are
falling, too--not so angrily as at the midnight past, but persistently,
and with a miserable obstinacy that defies all hope of sunshine. "The
windy night" has made "a rainy morrow," and sorrowful, indeed, is the
face of Nature.
Sorrowful, too, is the household. A lack of geniality pervades it from
garret to basement; no one seems quite to know what is the matter, but
"_suspect_" that "crow that flies in Heaven's sweetest air" stalks
rampant up stairs and down, and damps the ardor of everyone.
Dulce had waked early, had risen from her bed, and--with the curious
feeling full upon her of one who breaks her slumber _knowingly_ that
some grief had happened to her over night, the remembrance of which
eludes her in a tantalizing fashion--had thrown wide her window, and
gazed with troubled eyes upon the dawning world.
Then knowledge came to her, and the thought that she had made a new
contract that must influence all her life, and with this knowledge a
sinking of the heart, but no drawing back and no repentance. She dressed
herself; she knelt down and said her prayers, but peace did not come to
her, or rest or comfort of any sort, only an unholy feeling of revenge,
and an angry satisfaction that should not have found a home in her
gentle breast.
Public-domain text, read in full here on John Shaqi.
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