Roger glares despairingly at Dulce, who is still trying to get some
brandy down the wounded man's throat, and even as she does so Stephen's
eyes unclose, and a heavy sobbing sigh escapes him.
Strangely enough, as the two bend over him, and his gaze wanders from
one face to the other, it rests finally, with a great sense of content,
not on Dulce's face but Roger's. Instinctively he turns in his hour of
need from the woman who had wronged him to the man whom _he_ had wronged
in the first instance, and who--though he had suffered many things at
his hands of late--brings to him now a breath from that earlier and
happier life, where love--which has proved so bitter--was unknown.
"Stephen! Dear old fellow, you are not _much_ hurt, are you?" asks
Roger, tenderly. "Where is the pain? Where does it hurt you most?"
"Here!" says Stephen, faintly, trying to lift one of his arms to point
to his left side; but, with a groan, the arm falls helpless, and then
they know, with sickening feeling of horror, that it is broken. Stephen
loses consciousness again for a moment.
"It is broken!" says Roger. "And I am afraid there must be some internal
injury besides. What on earth is to be done, Dulce?" in a frantic tone;
"we shall have him here all night unless we do something. Will you stay
with him while I run and try to find somebody?"
But Stephen's senses having returned to him by this time, he overhears
and understands the last sentence.
"No, don't leave me," he entreats, earnestly, though speaking with great
difficulty. "Roger, are you there? Stay with me."
"There is Dulce," falters Roger.
"No, no; don't leave me here alone," says the wounded man, with foolish
persistency, and Roger, at his wits' end, hardly knows what to do.
"Are you anything easier now?" he asks, raising Stephen's head ever so
gently. Dulce, feeling her presence has been thoroughly ignored, and
fearing lest the very sight of her may irritate her late lover, draws
back a little, and stands where he can no longer see her.
"Try to drink this," says Roger, holding the flask again to Gower's lips
and forcing a few drops between them. They are of some use, as presently
a slight, a very slight tinge of red comes into his cheek, and his eyes
show more animation.
"It is very good of you, old man," he whispers, faintly, looking up at
Roger. "I believe you are sorry for me, _after all_."
The "after all" is full of meaning.
"Why shouldn't I be sorry for you?" says Roger, huskily, his eyes full
of tears. "Don't talk like that."
"I know you think I behaved badly to you," goes on Stephen, with painful
slowness. "And perhaps I did."
"As to that," interrupted Roger, quickly, "we're quits there, you know;
nothing need be said about that. Why can't we forget it? Come, Stephen,
forget it all, and be friends again."
"With all my heart," says Gower, and his eyes grow glad, and a smile of
real happiness illumines his features for a moment.
Public-domain text, read in full here on John Shaqi.
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