There is something so awful in the muteness of her despair, that a
curious hush falls upon those grouped around her--and him. The whole
scene is so fraught with a weird horror, that when one woman in the
background bursts into bitter weeping, she is pushed out of sight, as
though emotion of a demonstrative nature is out of place just here.
Noisy grief can have no part in this hopeless sorrow.
Dicky Browne, bending over her (Roger has taken Dulce home), says:
"Oh, Portia! that it should end like this, and just now--_now_, when
life had opened out afresh for him!" His voice is choked and almost
inaudible. Now that he is gone, they all know how dear he has been to
them, how interwoven with theirs has been his quiet melancholy life.
"I knew it," says Portia, not quickly, but yet with some faint, soft
vehemence. "I am not surprised, I am not grieved." She whispers
something else after this repeatedly, and Dicky, bending lower, hears
the words, "And soon--and soon." She repeats them in an ecstatic
undertone; there is joy and an odd _certainty_ in it. They are the last
words she ever spoke to _him_.
"He is very cold," she says then, with a little shiver.
Sir Mark, seeing the tears are running down Dicky's cheeks and that he
is incapable of saying anything further, pushes him gently to one side,
and murmurs something in Portia's ear. She seems quite willing to do
anything they may desire.
"Yes, yes. He must come home. It will be better. I will come home with
him." And then with a long-drawn sigh, "Poor Uncle Christopher!" This is
the last time her thoughts ever wander away from her dead love. "It will
be well to take him away from the cruel sea," she says, lifting her eyes
to the rough but kindly faces of the boatmen who surround her. "But,"
piteously, "oh! do not _hurt_ him!"
"Never fear, missy," says one old sailor, in a broken voice; and a young
fellow, turning aside, whispers to a comrade that he was "her man" in
tones of heartfelt pity.
Still keeping his head within her arms, she rises slowly to her knees,
and then the men, careful to humor her, so lift the body that she--even
when she has gained her feet--has still this dear burden in her keeping.
At the very last, when they have laid him upon the rude bier they have
constructed for him in a hurry, she still hesitates, and regards with
anguish the hard spot where she must lay her burden down.
Public-domain text, read in full here on John Shaqi.
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