Here Miss Blount, I regret to say, laughs out loud, so does Sir Mark, to
everybody's horror. Mr. Browne alone maintains a dignified silence. What
Miss Gaunt might or might not have said on this occasion must now
forever remain unknown, as Sir Christopher enters at this moment, and
shortly after him Mr. Boer.
"Was Florence unable to come? I hope she is quite well," says Dulce,
with conventional concern.
"Quite, thank you. But she feared the air."
"The heir?" says Julia Beaufort, inquiringly, turning to Dicky, who is
now unhappily quite close to her. Julia, who never listens to anything,
has just mastered the fact that Florence Boer is under discussion, and
has heard the word "air" mentioned in connection with her.
"Yes. Didn't you hear of it?" says Dicky Browne, confidentially.
"No," says Julia, also, confidentially.
"Why, it is common talk now," says Dicky, as if surprised at her
ignorance on a subject so well known to the rest of the community.
"Never heard a word of it," says Julia. "Was it in the papers!"
"N--o. Hardly, I think," says Dicky.
Even as he ceases speaking, three words, emanating from Mr. Boer's
ecclesiastical lips, attract Julia's attention. They are as follows:
"sun and air!" He, poor man, has just been telling Dulce that his wife
(who is slightly hypochondriacal) is very susceptible to the influences
of both light and wind. Julia misunderstands. Misled by Dicky's wilfully
false insinuation about Florence, whose incessant grievance it is that
no baby has come to bless her fireside, she turns to the unfortunate
curate and says blandly.
"Dear Mr. Boer, _so_ glad! I never knew of it until this very instant,
when I heard you telling Dulce of your sweet little son and heir. I
congratulate you. Of course"--coquettishly--"you are very proud of it.
Having had three dear babies of my own I can quite rejoice with you and
Mrs. Boer."
Deadly silence follows this outburst. Mr. Boer blushes a dingy red. The
others relapse into an awed calm; all is confusion.
Portia is the first to recover herself.
"Dear Dulce, may we have our tea?" she says, sweetly, pointing to the
table in the distance, where the man, five minutes ago, had placed the
pretty Sevres cups and saucers.
By this time Julia has awakened to the fact that she has committed
herself in some way unknown to her; has, in fact, taken a false step not
now to be retrieved.
"What lovely cups!" she says, therefore, very hurriedly, to Dulce,
pointing to the Sevres on the distant table, with a view to covering her
confusion; "so chaste--so unique. I adore old china. I myself am
something of a connoisseur. Whenever I have a spare penny," with an
affected little laugh, "I go about collecting it."
Public-domain text, read in full here on John Shaqi.
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