Portraits in Plaster, from the Collection of Laurence HuttonHutton, Laurence
History
Portraits in Plaster, from the Collection of Laurence Hutton
Hutton, Laurence
Masks (Sculpture); Portraits
“When I first knew the General I was a school-boy, and of course felt
the school-boy’s awe of a great man. Privileged to know him for years in
the intimacy of his own home, I never entirely overcame that feeling.
What was heroic in him grew, and did not diminish. The more I saw of him
the more I felt that he was good as well as great. His face used to be
called sphinx-like. That was scarcely true, for although its expression
was always calm, strong, imperturbable, it was also one of great
gentleness. He surely was a gentleman. Perhaps his hands aided to keep
his face serene, for we must all have some safety-valve. Almost the only
external indication of annoyance I ever noticed in him was a nervous
opening and shutting of his fingers, an index of emotion often observed
by other of his more intimate friends. A notable illustration of this
trait was told me by a gentleman who once accompanied him to a large
public dinner given in his honor. At its close one of the guests
ventured upon the telling of stories which are not told _pueris
virginibusque_. The General’s fingers began to work; he quietly excused
himself; and his companion, who knew the significance of the gesture,
followed him. As they smoked their cigars on the streets of the foreign
city in which this occurred, the General said: ‘I hope I have not taken
you from the table, but I have never permitted such conversation in my
presence, and I never intend to.’ This was not an affectation. His mind,
clear and wholesome, left its imprint in his face. Grossness or scandal
gave him genuine discomfort. He loved to think well of his kind. This
trait showed in his face, gave it benignity, and was, I fancy, the
secret of his hold on the affections of men. We chanced to be alone in
his room one night after the last cruel betrayal of his confidence, he
walking to and fro by the aid of his crutch. Suddenly he stopped, and,
as if following aloud the train of his silent thought, he said: ‘I have
made it a rule of my life to believe in a man long after others have
given him up. I do not see how I can do so again.’ There was no
bitterness in his voice, not even an elevation of tone. It was simply an
exclamation of an honest heart sorely wounded in its belief.
“As I recall his face, that which I remember is not so much line and
contour as the expression of strength, of great patience, of calmness,
and of gentleness; and the incidents which illustrate pure qualities
also come back freshly to my memory.
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[Illustration: U. S. GRANT]
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Public-domain text, read in full here on John Shaqi.
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