Portraits in Plaster, from the Collection of Laurence HuttonHutton, Laurence
History
Portraits in Plaster, from the Collection of Laurence Hutton
Hutton, Laurence
Masks (Sculpture); Portraits
The familiars of Franklin have shown that his face in his old age
changed in a very marked degree. He was in his seventy-eighth or his
seventy-ninth year when he sat for Houdon in 1784-85. Many of the
features of the Franklin cast as here reproduced—the long square chin,
the sinking just beneath the under lip, the shape of the nose, and the
formation of the cheekbones—are strongly preserved in the face of one of
his great-granddaughters now living in Philadelphia.
Leigh Hunt in his _Autobiography_ said that Franklin and Thomas Paine
were frequently guests at the house of his maternal grandfather in
Philadelphia when his mother was a girl. She remembered them both
distinctly; and in her old age she told her son that while she had great
affection and admiration for Franklin, Paine “had a countenance that
inspired her with terror.” Hunt was inclined to attribute this in a
great measure to Paine’s political and religious views, both of them
naturally obnoxious and shocking to the daughter of a Pennsylvania Tory
and rigid churchman. Concerning the physical as well as the moral traits
of the author of the _Age of Reason_, there seems to have been great
diversity of opinion. To paraphrase the speech of Griffith in _Henry
VIII._ concerning Wolsey, He was uncleanly and sour to them that loved
him not, but to those men that sought him, sweet and fragrant as summer.
His friend and biographer, Clio Rickman, who considered him “a very
superior character to Washington,” gave strong testimony to his personal
attractions and tidiness of dress; while James Cheetham, his biographer
and not his friend, told a very different and not a very pleasant story,
in which soap and water—or their absence—play an important part. The
former, according to Cheetham, was never employed externally by Paine,
and the latter was very rarely, if ever, internally applied.
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[Illustration: THOMAS PAINE]
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Public-domain text, read in full here on John Shaqi.
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