In the angle formed by the end wall of the Sala dos Cysnes and the side
of the Sala das Pegas there is a small low room now called the Sala de
Dom Sebastião or do Conselho. It is entered from the west end of the
Swan Hall through a door, which was at first a window just like all the
rest. This Hall of Dom Sebastião or of the Council is so called from the
tradition that it was there that in 1578 that unhappy king held the
council in which it was decided to invade Morocco, an expedition which
cost the king his life and his country her independence. In reality the
final solemn council was held in Lisbon, but some informal meeting may
well have been held there. Now the room is low and rather dark, being
lit only by two small windows opening above the roof of the controller's
office. It is divided into two unequal parts by an arcade of three
arches, the smaller part between the arches and the south wall being
raised a step above the rest. When first built by Dom João this raised
part formed a covered verandah, the rest being, till about the time of
Maria I., open to the sky and forming a charming and cool retreat during
the heat of summer. The floor is of tiles and marble, and all along the
south wall runs a bench entirely covered with beautiful tiles. At the
eastern end is a large seat, rather higher than the bench and provided
with arms, doubtless for the king, and tiled like the rest.
Passing again from the Swan Hall the way leads through the porch into
the Sala das Pegas or of the magpies. The door from the porch to the
room is one of the most beautiful parts of Dom João's work. It is framed
as are the windows, and has shafts, capitals, abaci, and bases just like
those already described; but the arch is different. It is beautifully
moulded, but is--if one may so speak--made up of nine reversed cusps,
whose convex sides form the arch: the inner square moulding too is
enriched with ball ornament. Inside the walls are covered to half their
height with exquisite tiles of Moorish pattern, blue, green and brown on
a white ground.
Public-domain text, read in full here on John Shaqi.
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