There are not very many churches built entirely in this style, though to many a door or a window may have been added or even a nave, as was done to the church of the Order of Christ at Thomar and perhaps to the cathedral of Guarda. Santa Cruz at Coimbra is entirely Manoelino, but is too large and too full of the work of the foreigners who brought in the most beautiful features of the French renaissance to be spoken of now. Another is the church at Gollegã, not far from the Tagus and about half-way between Santarem and Thomar. It is a small church, with nave and aisles of five bays and a square chancel. The piers consist of four half-round shafts round a square. In front the capitals are round next the neck moulding and square next the moulded abacus, while at the sides they become eight-sided. The arches are of two orders and only chamfered. The bases are curious, as each part belonging to a different member of the pier begins at a different level. That of the shaft at the side begins highest, and of the shaft in front lowest, and both becoming eight-sided, envelop the base of the square centre. These eight-sided bases interpenetrate with the mouldings of a lower round base, and all stand on a large splayed octagon, formed from a square by curious ogee curves at the corners. The nave is roofed in wood, but the chancel is vaulted, having ribs enriched like the chancel arch with cable moulding. The west front has a plain tower at the end of the south aisle, buttresses with Gothic pinnacles, a large door below and a round window above. The doorhead is a depressed trefoil, or quatrefoil, as the central leaf is of two curves. Between the inner and outer round moulding is as usual a hollow filled with branches. The outer moulding, on its upper side, throws out the most fantastic curves and cusps, which with their finials nearly encircle two little round windows, and then in wilder curves push up through the square framing at the top to a finial just below the window. At the sides two large twisted shafts standing on very elaborate bases end in twisted pinnacles. The round window is surrounded by large rope moulding, out of which grow two little arms, to support armillary spheres. [Sidenote: Sé, Elvas.] Dom Manoel also built the cathedral at Elvas, but it has been very much pulled about. Only the nave--in part at least--and an earlier west tower survive. Outside the buttresses are square below and three-cornered above; all the walls are battlemented; the aisle windows are tall and round-headed. On the north side a good trefoil-headed door leads to the interior, where the arches are round, the piers clustered with cable-moulded capitals and starry eight-sided abaci. There is a good vault springing from corbels, but the clerestory windows have been replaced by large semicircles. [Sidenote: Marvilla, Santarem.]