Strange as are the details of these buttresses, still more strange are
the windows of the chapter-house. Since about 1560 the upper cloister of
the Filippes has covered the south side of the church so that the south
chapter-house window, which now serves as a door, is hidden away in the
dark. Still there is light enough to see that in naturalism and in
originality it far surpasses anything elsewhere, except the west window
of the same chapter-house. Up the jambs grow branches bound round by a
broad ribbon. From the spaces between the ribbons there sprout out on
either side thick shoots ending in large thistle heads. The top of the
opening is low, of complicated curves and fine mouldings, on the
outermost of which are cut small curly leaves, but higher up the
branches of the jambs with their thistle heads and ribbons with knotted
ropes and leaves form a mass of inextricable intricacy, of which little
can be seen in the dark except the royal arms.
Inside the vault is Gothic and segmental, but the west window is even
more strange than the southern; its inner arch is segmental and there
are window seats in the thickness of the wall. The jambs have large
round complicated bases of many mouldings, some enriched with leaves,
some with thistle heads, some with ribbons, and one with curious
projections like small elephants' trunks--in short very much what a
Western mind might imagine some Hindu capital, reversed, to be like. On
the jamb itself and round the head are three upright mouldings held
together by carved basket work of cords, and bearing at intervals
thistle heads in threes; beyond is another band of leaf-covered carving,
and beyond it an upright strip of wavy lines.[117] The opening has a
head like that of the other window and is filled with a bronze grille.
Still more elaborate and extraordinary is the outside of this window,
nor would it be possible to find words to describe it.
The jambs are of coral branches, with large round shafts beyond,
entirely leaf-covered and budding into thistle heads. Ropes bind them
round at the bottom and half-way up great branches are fastened on by
chains. At the top are long finials with more chains holding corals on
which rest armillary spheres. The head of the window is formed of
twisted masses, from which project downwards three large thistle heads.
Above this is a great wreath of leaves, hung with two large loops of
rope, and twisting up as a sort of cusped ogee trefoil to the royal arms
and a large cross of the Order of Christ. A square frame with flamelike
border rises to the top of the side finials to enclose a field cut into
squares by narrow grooves. Below the window more branches, coral, and
ropes knot each other round the head of Ayres just below the rope
moulding which runs across from buttress to buttress. Above the top of
the opening and about half-way up the whole composition there is an
offset, and on it rests a series of disks, set diagonally and strung on
another rope. (Fig. 56.)
Public-domain text, read in full here on John Shaqi.
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