A little to the south of the cathedral of Evora, and a little lower down the hill, stands the Graça or church of the canons of St. Augustine. Begun during the reign of Dom João III., the nave and chancel, in which there is a fine tomb, have many details which recall the Conceicão at Thomar, such as windows set in sham perspective. But they were long in building, and the now broken down barrel vault and the curious porch were not added till the reign of Dom Sebastião, while the monastic buildings were finished about the same time. This porch is most extraordinary. Below, there are in front four well-proportioned and well-designed Doric columns; beyond them and next the outer columns are large projecting pilasters forming buttresses, not unlike the buttresses in some of the earlier cloisters. Above the entablature, which runs round these buttresses, there stand on the two central columns two tall Ionic semi-columns, surmounted by an entablature and pointed pediment, and enclosing a large window set back in sham perspective. On either side large solid square panels are filled by huge rosettes several feet across, and above them half-pediments filled with shields reach up to the central pediment but at a lower level. Above these pediments another raking moulding runs up supported on square blocks, while on the top of the upper buttresses there sit figures of giant boys with globes on their backs; winged figures also kneel on the central pediment. It will be seen that this is one of the most extraordinary erections in the world. Though built of granite some of the detail is quite fine, and the lower columns are well proportioned; but the upper part is ridiculously heavy and out of keeping with the rest, and inconceivably ill-designed. The different parts also are ill put together and look as if they had belonged to distinct buildings designed on a totally different scale. [Sidenote: Evora University.] Not much need be said of the Jesuit University founded at Evora by the Cardinal in 1559 and suppressed by the Marques de Pombal. Now partly a school and partly an orphanage, the great hall for conferring degrees is in ruins, but the courtyard with its two ranges of galleries still stands. The court is very large, and the galleries have round arches and white marble columns, but is somehow wanting in interest. The church too is very poor, though the private chapel with barrel vault and white marble dome is better, yet the whole building shows, like the Graça porch, that classic architecture was not yet fully understood, for Diogo de Torralva had not yet finished his cloister at Thomar, nor had Terzi begun to work in Lisbon.