The interior of the Misericordia at Beja, a square, divided into nine
smaller vaulted squares by arches resting on fine Corinthian columns,
with altar recesses beyond, looks as if it belonged to the time of Dom
João III., but if so the front must have been added later. This is very
simple, but at the same time strong and unique. The triple division
inside is marked by three great rusticated Doric pilasters on which rest
a simple entablature and parapet. Between are three round arches,
enclosing three doors of which the central has a pointed pediment, while
over the others a small round window lights the interior.
[Sidenote: Oporto, Nossa Senhora da Serra do Pilar.]
But by far the most original of all the buildings of this later
renaissance is the monastery of Nossa Senhora da Serra do Pilar in Villa
Nova de Gaya, the suburb of Oporto which lies south of the Douro.
Standing on a high granite knoll, which rises some fifty feet above the
country to the south, and descends by an abrupt precipice on the north
to the deep-flowing river, here some two hundred yards wide, and running
in a narrow gorge, the monastery and its hill have more than once played
an important part in history. From there Wellington, in 1809, was able
to reconnoitre the French position across the river while his army lay
hidden behind the rocks; and it was from a creek just a little to the
east that the first barges started for the north bank with the men who
seized the unfinished seminary and held it till enough were across to
make Soult see he must retreat or be cut off. Later, in 1832, the
convent, defended for Queen Maria da Gloria, was much knocked about by
the besieging army of Dom Miguel.
The Augustinians had begun to build on the hill in 1540, but none of the
present monastery can be earlier than the seventeenth century, the date
1602 being found in the cloister.
Public-domain text, read in full here on John Shaqi.
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