Very different is the outline of the Escorial, whose very plainness and
want of detail suits well the rugged mountain side in which it is set.
The main front with its high corner towers and their steep slate roofs,
and with its high centre-piece, is far more impressive, and the mere
reiteration of its endless featureless windows gives the Escorial an
appearance of size quite wanting to Mafra. Above all the great church
with massive dome and towers rises high above all the rest, and gives
the whole a sense of unity and completeness which the smaller church of
Mafra, though in a far more prominent place, entirely fails to do.
Poor though the church at Mafra is outside, inside there is much to
admire, and but little to betray the late date. The porch has an
effective vault of black and white marble, and domes with black and
white panels cover the spaces under the towers. Inside the church is all
built of white marble with panels and pilasters of pink marble from Pero
Pinheiro on the road to Cintra. (Fig. 101.)
The whole church measures about 200 feet long by 100 wide, with a nave
also 100 feet long. The central aisle is over 40 feet wide, and has two
very well-proportioned Corinthian pilasters between each bay. Almost the
only trace of the eighteenth century is found in the mouldings of the
pendentive panels, and in the marble vault, but on the whole the church
is stately and the detail refined and restrained.
The refectory, a very plain room with plastered barrel vault, 160 feet
long by 40 wide, is remarkable only for the splendid slabs of Brazil
wood which form the tables, and for the beautiful brass lamps which hang
from the ceiling.
Much more interesting is the library which occupies the central part of
the floor above. Over 200 feet long, it has a dome-surmounted transept
in the middle, and a barrel vault divided into panels. All the walls are
lined with bookcases painted white like the barrel vault and like the
projecting gallery from which the upper shelves are reached. One half is
devoted to religious, and one half to secular books, and in the latter
each country has a space more or less large allotted to it. As scarcely
any books seem to have been added since the building was finished, it
should contain many a rare and valuable volume, and as all seem to be in
excellent condition,
[Illustration: FIG. 100.
MAFRA.
W. FRONT OF PALACE.]
[Illustration: FIG. 101.
MAFRA.
INTERIOR OF CHURCH.]
they might well deserve a visit from some learned book-lover.
Mafra does not seem to have ever had any interesting history. Within the
lines of Torres Vedras, the palace escaped the worst ravages of the
French invasion. In 1834 the two hundred and eighty friars were turned
out, and since then most of the vast building has been turned into
barracks, while the palace is but occasionally inhabited by the king
when he comes to shoot in the great wooded _tapada_ or enclosure which
stretches back towards the east.
[Sidenote: Evora, Capella Mor.]
Public-domain text, read in full here on John Shaqi.
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