"This sort of thing is all very well from a woman's angle, but is it
well for a man? Jimsy says no, and when I remember the expression in his
eyes, I am afraid I must agree with him. I had thought of him more as I
would think of a girl chum, only infinitely more desirable, for he had
the power of really _doing_ things for me--he was a cross between a nice
old friendly dog that would fetch and carry at my bidding and a powerful
protector who could (and did) stand between me and unpleasant
happenings.
"Jimsy has gone out of my life and left a terrible loneliness. He says
that some day, when he has learned resignation, he will come back and
we can take up the threads of our friendship just where we have laid
them down ... but that can never be, you cannot build up a new
friendship on the ashes of an old one. Poor Jim Brooks! I shall never
forget what a wonderful thing he was in my life. And now that I have
learned my lesson, my new platonic friend Mr. R---- can take his
professed platonic friendship elsewhere. I am through, henceforth all
men are acquaintances ... or lovers!"
* * * * *
As I look back on my life and try to draw wisdom from my mistakes, I see
some things clearly and one is that it is impossible for a woman like me
to enjoy the close friendship of an attractive man without danger. No
matter how honorable he is or how sincere the woman is, there will be
danger. The only case where there is no danger is where there is no
physical attraction. I might have been safe enough with some anemic
saint, but not with one who had pulsing red blood in his
veins--certainly not!
* * * * *
Here is a characteristic episode written before I married Julian, during
those months of hard struggle in New York:
"Last night Kendall Brown talked to me like an angel.
"'I'll give you a case in point, Pen,' he was saying. 'A beautiful woman
like you, an exquisite, lithe creature is sitting on a sofa under a soft
light, leaning against pillows--just as you are now; and a man like me,
a poor adoring devil, a regular worm, is sitting at the other end of the
sofa looking at this woman, drinking in her loveliness, thrilling to the
mysterious lights in her eyes, the caressing tenderness of her voice and
all the rest of it. This man wants to reach out and take this woman in
his arms--draw her to him--press his lips to hers. But he doesn't do it,
because--well, she wouldn't stand for it. Besides, it isn't right.
Perhaps she is a married woman. Perhaps he is married.
Public-domain text, read in full here on John Shaqi.
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