Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
Others have made Cornelius Severus the author,[358] though it is
practically certain that his description of the volcano must have
occurred in his poem _On the Sicilian War_.[359] But the fact that
Seneca makes no reference to the existence of any learned didactic poem
on the subject carries a little more weight, and there are marked
parallels between Seneca's 'quaestiones Naturales' and passages in the
_Aetna_.[360] Further, the very badness of the poem makes us hesitate to
place it in the Augustan period. That age, no doubt, produced much bad
work as well as good, but a poem so obscure and inartistically prosaic
as the _Aetna_ was more likely to be produced and more likely to survive
in an imitative and uninspired age such as that which followed on the
death of Augustus. But for the evidence of Seneca we should place the
poem in the prosaic reign of Tiberius; the considerations adduced from
Seneca lead us, though with the utmost hesitation, to place it somewhere
between 57 and 79 A.D.[361] Of the lower limit there can be no doubt.
The fires of the Phlegraean plains are extinct,[362] therefore the poem
was composed before the eruption of Vesuvius in 79 A.D.[363] The
question of the authorship of the _Aetna_ has necessarily been treated
at greater length than the merits of the poem deserve. It is a work of
small importance; its chief value is to show how low it was possible for
Roman didactic poetry to sink. In the _Aetna_ it sinks lower than epic
in the _Punica_ of Silius Italicus. That poem, for all its portentous
dullness, shows a certain ponderous technical skill and literary
facility. The author of the _Aetna_, though clearly a man of culture, is
never at his ease, the verse is laboured and lacking flexibility, and
there is no technical dexterity to compensate for a total absence of
genius. The terror and beauty of the mountain crowned with snow and fire
find no adequate expression in these monotonous lines. There remains a
conglomerate of unoriginal and unsound physical speculation.
ii
COLUMELLA
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