Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
With the growth of the knowledge of Greek and its increasing use as a
medium of instruction in the schools on the one hand, and the appearance
of Vergil and the rise of the Aeneas saga on the other, the demand for a
translation of the _Iliad_ naturally became less. The Silver Age arrived
with the problem unsolved. It was a period when writers abounded who
would have been better employed on translation than on any attempt at
original work. Further, in spite of the general knowledge of Greek, a
translation of Homer would have its value in the schools both as a
handbook for the subject-matter and as a 'crib '.
Three works of the kind seem to have been produced between the reigns of
Tiberius and Nero.
Attius Labeo[395] translated not only the _Iliad_ but also the _Odyssey_
into hexameters. But it was a poor performance. It was a baldly literal
translation, paying small attention to the meaning of the original.[396]
Persius pours scorn upon it, and one verse has survived to confirm our
worst suspicions[397]--
crudum manduces Priamum Priamique pisinnos.
Polybius, the well-known freedman of Claudius, also produced a work,
which is praised by Seneca as having introduced Homer and Vergil to a
yet larger public than they already enjoyed, and as preserving the charm
of the original in an altered form.[398] As Polybius had dealt with
Vergil as well as Homer, it may be conjectured that the work praised by
Seneca was a prose paraphrase. Lastly, there is the _Ilias Latina_,
which has been preserved to the present day. It is written in graceful
hexameter verse, and is an abridgement rather than a translation. It
consists of 1,070 lines, of which the first five books in fact claim a
little more than half. The author wearied of his task and finished off
the remaining nineteen books in summary fashion. While the twenty-second
occupies as much as sixty lines, the abridgements of the thirteenth and
seventeenth are reduced to a meagre seven and three lines respectively.
That such work is of small importance is obvious. It must have been
useless from its birth save as a handbook for the schools, and even for
this purpose its value must have been greatly impaired by its lack of
proportion. Its survival can only be accounted for on the assumption
that it was written and employed as a textbook. In fact, during the
Middle Ages, when the original was a sealed book, there is definite
evidence that it was so used.[399] The work is trivial, but might well
have been worse. The language is clear and often vigorous, and there is
an easy grace about the verse which shows that the author was a man of
culture, knowing his Vergil well and his Ovid better. The date cannot be
proved with certainty, but there can be no doubt that it was written
before the death of Nero.
The lines (899),
Public-domain text, read in full here on John Shaqi.
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