Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
Not only do the words of Quintilian (l.c.) suggest a poet who left a
great work unfinished, but the poem itself is full of harshnesses and
inconsistencies of a kind which so slow and careful a craftsman would
assuredly have removed had the poem been completed and received its
final revision.[482] These blemishes leave us little room for doubt. The
poem that has come down to us is a fragment lacking the _limae labor_.
Like the _Thebais_ of Statius and the _Aeneid_ itself, the work was
probably planned to fill twelve books. The poem breaks off with the
marriage of Medea and Jason on the Isle of Peuce at the mouth of the
Danube, where they are overtaken by Medea's brother Absyrtus, who has
come in anger to reclaim his sister and take vengeance on the stranger
who has beguiled her. It is clear that the Argonauts[483] were, as in
Apollonius Rhodius, to escape up the Danube and reach another sea. In
Apollonius they descended from the head waters of the Danube by some
mythical river to the Adriatic; it is in the Adriatic that Absyrtus is
encountered and slain; it is in Phaeacia that Jason and Medea are
married. In Valerius both these incidents take place in the Isle of
Peuce, at the Danube's mouth. The inference is that Valerius
contemplated a different scheme for his conclusion. It has been pointed
out[484] that a mere 'reproduction of Apollonius' episodes could not
have occupied four books'; and it is suggested that Valerius definitely
brought his heroes into relation to the various Italian places[485]
connected with the Argonautic legend, while he may even, as a compliment
to Vespasian,[486] have brought them back 'by way of the North Sea past
Britain and Gaul'. This ingenious conjectural reconstruction has some
probability, slight as is the evidence on which it rests. Valerius was
almost bound to give his epic a Roman tinge. More convincing, however,
is the suggestion of the same critic[487] that the poem was designed to
exceed the scope of the epic of Apollonius and to have included the
death of Pelias, the malignant and usurping uncle, who, to get rid of
Jason, compels him to the search of the golden fleece. To the
retribution that came upon him there are two clear references[488] and
only the design to describe it could justify the introduction of the
suicide of Jason's parents at the outset of the first book, a suicide to
which they are driven to avoid death at the hands of Pelias.
Public-domain text, read in full here on John Shaqi.
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