Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
the Capitoline contest, he retired to his native town.[535] He had
married a widow named Claudia,[536] but the union was childless; towards
the end of his life he adopted the infant son of one of his slaves,[537]
and the child's premature death affected him as bitterly as though it
had been his own son that died. Of his age we know little; but in the
_Silvae_ there are allusions to the approach of old age and the decline
of his physical powers.[538] He can scarcely have been born later than
45 A.D., and may well have been born considerably earlier. His life, as
far as we can judge, was placid and uneventful. The position of his
father seems to have saved him from a miserable struggle for his
livelihood, such as vexed the soul of Martial.[539] There is nothing
venal about his verse. If his flattery of the emperor is fulsome almost
beyond belief, he hardly overstepped the limits of the path dictated by
policy and the custom of the age; his conduct argues weakness rather
than any deep moral taint. In his flattery towards his friends and
patrons his tone is, at its worst, rather that of a social inferior than
of a mere dependent.[540] And underlying all the preciosity and
exaggeration of his praises and his consolations, there is a genuine
warmth of affection that argues an amiable character. And this warmth of
feeling becomes unmistakable in the _epicedia_ on his father and his
adopted son, and again in the poem addressed to his wife. The feeling is
genuine, in spite of the suggestion of insincerity created by the
artificiality of his language. No less noteworthy is his enthusiasm for
the beauties of his birthplace, which shines clear through all the
obscure legends beneath which he buries his topography.[541] These
qualities, if any, must be set against his lack of intellectual power;
his mind is nimble and active, but never strong either in thought or
emotion: of sentiment he has abundance, of passion none. Considering the
corruption of the society of which he constituted himself the poet, and
of which there are not a few glimpses in the _Silvae_, despite the
tinselled veil that is thrown over it, the impression of Statius the man
is not unpleasing: it is not necessary to claim that it is inspiring.
Public-domain text, read in full here on John Shaqi.
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