Both of these satires, notably the fifteenth, show a marked falling off alike in style and matter. Both, in fact, have been branded as spurious, the latter from times as early as those of the scholia. But there is no real ground for such a suspicion. Both satires have all the characteristics of Juvenal, excepting only the vigour and brilliance of his earlier days. No poet's powers are proof against the advance of old age, and there is no vein of poetry more exhausting or more easily exhausted than satire. And, as has already been remarked, there are signs of a falling away before these satires are reached. Even the famous tenth satire, for all its indisputable greatness, does not demand or reveal, such special gifts of style and observation as the first and third. It is less in touch with actual life: it is a theme from the schools, and the illustrations, effective as they are, are as trite as the theme itself. Were it his only work, the tenth satire would give Juvenal high rank among Roman poets: it will always, thanks to the brilliance of its rhetoric and the wide applicability of its moral, be his most popular work: it is not his highest achievement. It will have been obvious from this brief survey that the themes chosen by Juvenal are for the most part of a commonplace nature. It could hardly be otherwise. Satire, to be effective, must choose obvious themes. But in some respects the treatment of them is surprisingly commonplace. There is little freshness or originality about Juvenal's way of thinking. His morality is neither satisfying nor profound. His ideal is the old narrow Roman republican ideal of a chaste, vigorous, and unluxurious life, wherein publicity is for man alone, while woman is confined to the cares of the family and the household; the ideal of a society wholly Italian and free-born, untainted by the importations of Greece and Asia; of a state stern and exclusive, though just and merciful, sparing the subject and beating down the proud. The nobility of this ideal is not to be denied, but it is inadequate because it is wholly unpractical. There is no denying that the emancipation of women had led to gross evils, some of them imperilling the very existence of the State; nor can it be doubted that much of the Greek influence had been wholly for the bad, and that in many cases the introduction of the cults of the East served merely to cloak debauchery. The rich freedman, also, for whom Juvenal reserves his bitterest shafts, was often of vicious and degraded character and had risen to power by repulsive means. But there is another side to the picture, the existence of which Juvenal sometimes, by his vehemence, seems to deny. The freedman class supplied some of the most valuable of civil servants, and many must have been worthy of their emancipation and of their rise to power.[721] There was a higher Hellenism, which Juvenal ignored. The intellectual movements of the Empire still found their chief source in Greece, and